Spectre 2015 kostenlose filme -1440p-M4V

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Spectre"




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Titel

Spectre 2015

Dauer

118 Niederschrift

Auslöse-

2015-10-26

Eigenschaft

MPG 1440p
HDTS

Buchgattung

Action, Adventure, Crime

Jargon

Français, English, Español, Italiano, Deutsch

castname

Lacan
R.
Joël, Voletta W. Davila, Farmer F. Manuela









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Well, cinema’s most treasured and resilient British spy guy is back as the legendary James Bond makes his twenty-fourth outing on the big screen in the highly anticipated and slickly-made Spectre. Worldwide Agent 007 fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode. Whatever Bond enthusiasts have in mind for the future twenty-fifth entry of the “licensed to kill” Lothario they should simply settle for the present stimulating currents that trickle as mind-bending material in the polished and percolating Spectre.

As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty 007. Naturally both ardent and casual Bond followers can rattle off the filmography of Craig’s on-screen tour of duty as the debonair and daring secret service operative and even rate the previous films as they compare and contrast each edition. Some may give special attention to Craig’s first foray into stepping inside Bond’s explosive shoes for 2006’s Casino Royale that is considered a spectacular introduction for the dramatically trained actor. In 2008’s Quantum of Solace, it was a mixed bag at best as Bond followers for the most part gave this second 007 rendition an ambivalent sign of approval (not too many were thrilled with the awkward movie title either). Thankfully, 2012’s Skyfall bounced back for Craig’s take on the roguish Bond and made for some exceptional brownie points as the cagey spy returning to creative prominence. Now 2015’s Spectre hopes to make some hearty tie-ins to Craig’s past big screen adventures as the stoic jet-setting dynamo ridding the world of masterful riff raff.

In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation. Sure, some wily 007 fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold. For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting. To be fair the other Bond films have served as a welcome mat to the next chapter of the late Ian Fleming’s engaging and charismatic man of action so why should not Spectre be any different in this regard? Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service. Nevertheless. the minor knock on Spectre is that it could have risen to the occasion more than it did as it occasionally feels as if it is going through the mischievous motions. It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect.

Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight. However, where the standard Bond film-making characteristics are somewhat consistent and captivating (i.e. the breathtaking opening sequence of the Day of the Dead celebration in Mexico City) there is also a questionable consideration for the weak-kneed Bond theme song in Sam Smith’s “Writing’s on the Wall” which seems so inadequately suited for a James Bond signature tune. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film–its opening scene and surging theme song. Thankfully, Spectre’s grand opening sequence obeys traditional Bond practices but Smith’s doggedly tired-sounding “Writing’s on the Wall” feels as it belongs attached to an old televised After School special from the mid-70s. Wouldn’t you give your kingdom for Paul McCartney and Wings’ “Live and Let Die” or Carly Simon’s “Nobody Does It Better” or perhaps even Sheena Easton’s “For Your Eyes Only”?

One thing that can be said about Craig’s Bond in Spectre and that is his image transformation has been elevated to that of a fashion plate whose GQ stylized look has taken quite a step up. Not since Roger Moore’s Bond has there been a clear case of dazzling attire on display for Agent 007 to strut his stuff in spiffy clothing accessories throughout his ventured travels. Craig, billed as a “blue-collar” Bond whose demeanor is more blunt and workman-like, takes comfort in basking in the finesse shadows of a classic Agent 007 almost foreign to his distinctive spin on the iconic spy. In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.

Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope. No one can accuse Spectre as to not holding its own in visual functionality. Wisely, Mendes does not forget his Skyfall background players as they reunite with Craig’s Bond and partake in the sensationalized cat-and-mouse caper. It is refreshing to see Ralph Fiennes back as “M” not to mention Ben Wishaw’s “Q” front and center. And a Craig-fronted Bond film would not be the same without Naomie Harris as Miss Moneypenny.

Agent 007 fans will find a common "Bond" with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinettic SPECTRE
Agent 007 fans will find a common “Bond” with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinetic SPECTRE
It is a given that the diabolical criminal network known as SPECTRE has always had its affiliation with the Bond universe especially in the classic Sean Connery Bond-age years. Instinctively, SPECTRE’s evil heart and soul was pumped continuously by that organization’s dastardly mastermind Ernst Stavro Blofeld. Oscar winner Christoph Waltz does the sordid honors of taking the reins as Bond’s nemesis Franz Oberhauser in Spectre with devilish delight and is more colorfully corrupt thanks to his handy go-to muscular minion Mr. Hinx (ex-professional WWE wrestler and “Guardians of the Galaxy” star Dave Bautista) echoing the memories of beloved brute Jaws (played by the late Richard Kiel) from The Spy Who Loved Me and Moonraker).

We can never forget that along with Agent 007 folklore comes the responsibility of being labeled a treasured Bond babe. And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. No’s Ursula Andress (Honey Ryder) or Casino Royale’s Eva Green (Vesper Lynd) for that matter they still hold their own and give a measure of titillation to both Bond and the vast amount of male admirers wishing they carried a gun and wore expensive tuxedos while being at the receiving end of a provocative smooch by these vibrant vixens. Lea Seydoux’s Madelene Swann and Italian siren Monica Bellucci’s Lucia are on board as the Bond bombshells for hire.

As a whole, Spectre has its up and down moments and never is quite sure about standing alone as an independent Bond story or being dismissed as a pit stop for 007-related flashbacks and reference bits ode to yesteryear’s glory of the super spy’s engaging and raging exploits. The verdict is that Spectre ultimately satisfies one’s craving for the invincible James Bond whether you can to relive his vintage reputation or look forward to a millennium-enhanced production that will grow with the ageless wonderment pertaining to Fleming’s literary ladies man-turned movie-making mainstay of action-packed cinema for half a century. As one-time Bond songbird Carly Simon would attest in her soothing lyrics, “nobody does it better…” Yet in the dimensional escapist world of James Bond this particular go-around could have been a tad bit better.

Spectre (2015)

Sony Pictures

2 hrs 28 mins.

Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Monica Bellucci, Andrew Scott

Directed by: Sam Mendes

MPAA Rating: PG-13

Genre: Spy-Espionage Caper/Action & Adventure/Suspense Thriller

Critic’s rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
A "correct" Bond movie. All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive.

Nothing else really new ...
> Not your usual Bond movie, but still a good entertainer.

What I liked from a couple of last Bond movies was they were off the regular 007 style, like not overly rely on spy's special gadgets. This change has been since the day one of Daniel Craig as a famous British spy, James Bond. Anyway, he's the most fittest (muscular) Bond I've ever seen and he's celebrating 10 year anniversary with this film release. But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film.

The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig. But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself. 'Spectre' was a very simple Bond movie I have ever seen, but I can say the production quality was so good that you can't resist the enjoyment. The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.

You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron? Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard. But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it. But to be honest, I enjoyed it.

7/10

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Zerebrovaskuläre Insuffizienz – Wikipedia ~ Die zerebrovaskuläre Insuffizienz andere Schreibweise cerebrovasculäre Insuffizienz CVI ist ein zusammenfassender Begriff für Störungen der Blutversorgung des Gehirns durch Gefäßläsionen Stenosen Obliterationen Gefäßschlängelungen im Bereich der hirnzuführenden oder der zerebralen Gefäße insbesondere bei der subkortikalen arteriosklerotischen Enzephalopathie des älteren

TMA – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

Skelettszintigrafie – Wikipedia ~ Die Skelettszintigrafie auch Knochenszintigrafie engl bone scan genannt ist ein nuklearmedizinisches bildgebendes Verfahren Szintigrafie das zum Nachweis von KnochenAnteilen mit einem erhöhten Knochenstoffwechsel dient Bereiche mit einem erhöhten Knochenstoffwechsel „Herde“ finden sich beispielsweise bei Knochenmetastasen im Rahmen von Krebserkrankungen z B

LewyKörperDemenz – Wikipedia ~ Geschichte Benannt ist die Erkrankung nach Friedrich H Lewy 1885–1950 einem deutschen Neurologen In seinem Buchkapitel über die „Paralysis agitans“ heute Morbus Parkinson beschrieb er erstmals die später nach ihm benannten LewyKörperchenWährend seiner Tätigkeit an der Berliner Charité fand er diese Veränderungen im Nucleus basalis Meynert und Nucleus dorsalis nervi vagi

Craniale Computertomographie – Wikipedia ~ Als craniale Computertomographie CCT bezeichnet man eine radiologische Untersuchungsmethode mit der mittels scheibenartiger Schnittbilder vor allem das Gehirn aber auch knöcherne Anteile Gefäße Gehirnkammern mit Hirnflüssigkeit sowie die übrigen Weichteile im Inneren des Schädels und jeweils viele pathologische Veränderungen dieser Strukturen visualisiert werden können

Szintigrafie – Wikipedia ~ Die Bildgebung beruht auf der Verabreichung von Radiopharmaka d h Stoffen die radioaktiv markiert sind Dabei werden solche Stoffe verwendet die sich in dem zu untersuchenden Gewebe besonders gut anreichern

Scanner – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

Striatofrontale Dysfunktion – Wikipedia ~ Striatofrontale bzw frontostriatale Regelkreise Schleifen „loops“ gehen von der Großhirnrinde Cortex aus und verlaufen über die Basalganglien und den Thalamus zurück zum Großhirn und zwar im Wesentlichen zum von der gesamten Großhirnrinde gelangen Informationen zum Striatum als Eingangsstation der Basalganglien kortikostriatale Verbindungen mit


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Mad Max: Fury Road 2015 kostenlose filme -1080p-M1V

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Mad Max: Fury Road"




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Anrecht

Mad Max: Fury Road 2015

Zeitdauer

117 minuziös

Ausgabe

2015-05-13

Güte

M4V 1440p
HDRip

Buchgattung

Action, Adventure, Science Fiction

Jargon

English

castname

Nunez
D.
Suchet, Ortega D. Elisa, Besson A. Anuj









Mad Max: Fury Road 2015 Mad Max: Fury Road ganzer film deutsch, Mad Max: Fury Road online stream - Ganzer film, Mad Max: Fury Road ganzer film online stream - Deutsch



Fabulous action movie. Lots of interesting characters. They don't make many movies like this. The whole movie from start to finish was entertaining I'm looking forward to seeing it again. I definitely recommend seeing it.
Good action movie with a decent script for the genre. The photography is really good too but, in the end, it is quite repeating itself from beginning to end and the stormy OST is exhausting.
Awesome movie! WITNESS ME will stick with me forever!
Fantastic action that makes up for some plot holes.
Wonderful action movie. Scenes are unimaginable. Lots of graphics used in this movie. This is totally a very good action movie.
I was never a fan of the original Mad Max films but this one just blew me away. There was something so powerfully visceral about this on the big screen. It was a fun on assault on the sense , in a good way. Its spectacle rather than plot driven so may not fare as well on the smaller screen. Watch on the largest possible tv in a darkened room with the phone and other gadgets off. Crank up the volume.
I would say that this movie is pretty much the kind of movie that I expected it to be. That being said I think it was a bit softer than I hoped it to be. I think that, again, the Hollywood plonkers have opted to make a movie that got a more palate rating (to them and their cash registers) than what it should have been. It is not as obvious as with Robocop and a few other movies but the feeling is there.

It is still a fairly entertaining movie. It is of course yet another special effects movie and as such it does not disappoint. It differs from a lot of the usual special effects movies in that the effects are pretty down to Earth in a bizarre way. We are not talking about superheroes or near magical technologies here but instead we have a devastated landscape, scrounged together equipment and a totally ludicrous desire to blow up the last remains of human civilisation. The bizarre vehicle designs and the totally ridicules behaviour of a lot of people in this movie is alone worth watching it to be honest.

As with the previous Mad Max movies this one stretches the bounds of reality (I hope) when it comes to human behaviour and how they waste the few precious resources, specifically gasoline and bullets, that remains after the apocalypse. It provides some spectacular scenery but it also puts a bit of “what the f…” feeling to it all. Not that this part is not expected from a Mad Max movie though.

What I think was my largest let-down in the movie was the Mad Max character itself. To me he is supposed to be a real bad-ass. In this movie he was not really that impressive. He certainly was far from the original Mad Max character in my opinion and was really overshadowed by the Furiosa character. I could have lived with that if this character would have been really impressive but she was not. She was cool but she was still underwhelming when comparing to anything in the original bad-ass Mad Max universe. I would say that Tina Turner and Mel Gibson still rules!

Still it is a decent futuristic, apocalyptic action movie, maybe not living up to this old movie geeks expectations, but not at all a wasted movie evening. The sound track of the Blu-ray certainly gave my subwoofer an exercise as well.

Liste von PkwMarken – Wikipedia ~ Einleitung Erklärung zu den einzelnen Spalten In der Spalte Markenname steht der Markenname Sofern die Marke relevant erscheint ist der Name verlinkt sonst nicht In der Spalte Staat steht der Staat in dem der Hersteller der Marke seinen Firmensitz hat oder hatte Falls der Hersteller aufgrund von staatspolitischen Veränderungen seinen Sitz nacheinander in verschiedenen Staaten hatte


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Avengers: Age of Ultron 2015 kostenlose filme -1440p-Sonics-DDP

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Avengers: Age of Ultron"




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Anrecht

Avengers: Age of Ultron 2015

Dauer

157 kurzer Entwurf

Auslöse-

2015-04-22

Güte

DAT 720p
DVDrip

Gattung

Action, Adventure, Science Fiction

Sprache

English

castname

Faizal
S.
Meagan, Graham B. Isaias, Desmond I. Anaïs









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There is a lot going on in this movie but it all just seemed kind of pointless and dull to me. Every now and then there would be a good scene or piece of dialogue but for the most part I felt myself getting bored and reaching for my phone to play Cribbage. I guess what I didn't like most is that it all felt like a big filler episode instead of an action packed character driven story arc.
Action, good Fx and a "not-completely-absurd" story. The actors perform well and you can identify them very well with their characters ... but it is all old and without imagination.

I suppose nobody was expecting anything else, though ...
This is another one of those movies that you watch primarily for the special effects with you favourite super heroes slugging it out. It is a classical Hollywood product where the story is mostly there just as a vehicle for allowing the special effects team to do their business. As such it is a success.

The movie starts of with a display of action and the afore mentioned special effects with an attack by the Avengers on a bad guy stronghold. Not surprisingly the events sows the seeds for things to come.

The movie starts off with quite an interesting story idea with the activation of Ultron. However, once he materializes as a physical entity, it became a bit of seen that, been there and done that. Ultron just turns into yet another “standard” comic book villain a’ la Megatron running around trying to look intimidating while implementing his diabolical scheme. Okay, there was a bit of originality here and there but with the good start I kind of expected a wee bit more.

Having said that, the movie does indeed fulfil its purpose of showing off a bunch of super heroes slugging it out in a flurry of special effects and, although the story idea was perhaps not used as intelligently as I had hoped, it is not bad (for this kind of movie of course) and hangs together pretty okay. Sure, it is somewhat contrived and the means by which Ultron tries to exterminate humanity is overly complicated but it is still a decent story.

Overall the movie was entertaining and provided the necessary special effects and super hero fix for those who are inclined to enjoy those kind of movies. I certainly am and, not surprisingly, the kids liked it as well.
**A long form review originally posted in 2015:**

I’ve just returned from two back-to-back viewings of _Avengers: Age of Ultron_, and I do not regret one bit going in for that second helping.

I lost my steam on the _Age of Ultron_ wagon at a very inopportune moment. About three days before it came out. I was so heavily anticipating it for such a long time, that I was actually much more excited to see this movie when it was still two months away than I was waiting in line to get into the cinema it was playing at. The combination of the market-saturation and the fact that the _Ultron _hype-train has been running for literally years, with a first trailer dropping seven months before the damn thing came out, meant I got weary of the thing just a fraction too soon. But I’m a sucker for the MCU, and there was no way I was missing the sequel to my favourite superhero movie of all time.

I won’t harp on too much, because I don’t want to spoil anything (especially given that the movie isn’t even out in most parts of the world), I will put out a spoilertalk on this blog at some point down the line, but for now just let me leave you with a couple of quick thoughts.

_Age of Ultron_ is not the best film of all time. It’s not the best superhero film of all time, it’s not even the best MCU film. Honestly, I personally feel it’s not even the best MCU Phase 2 film. But it is still good. And that’s what’s important here. But what do I mean by that?

Well, for starters, in and of itself, I loved it, a breach past an 80% approval rating from me is no small thing. The things we enjoyed from the first _Avengers_are here. The mesmerising action spectacles of course, but I more mean the character moments we got between the Avengers themselves, that was my favourite part of the first film and we get it here again in spades.

Every new thing Joss has added to the plate works splendidly as well, real Hawkeye story, new heroes, a new villain, an updated world, all of these things are big ticks in lots of boxes.

So if everything from _The Avengers_ works and everything they’ve added works great too, why is _Age of Ultron_ not a perfect film? For spoiler-free purposes I will not go into detail, but that’s okay because the answer is quite simple: Everything in _Age of Ultron_ is great. It’s what’s not in _Age of Ultron_ that’s the problem.

Joss Whedon said that the film had to be cut by nearly an hour. That way you get more showings in, and that means more money. Now I’m not saying we need every minute of that hour back, but what we ended up being left with, was just enough for _Age of Ultron_ to be the _Thor: The Dark World_ of the _Avengers _franchise (it was a far superior film to _Dark World_, but hear me out). _Age of Ultron_ is little more than a holding pattern. The set-ups for future films take up too much time for the story to bear the weight of some actual story, but everything that occurs in the film itself somehow also has virtually no consequence on world it is a part of. I can’t say it more plainly than that: It’s a holding pattern. It introduces some stuff, but it doesn’t stand alone the first film did. It’s not such a big deal when the solo-movies do that (like the aforementioned _Dark World_) because we have _The Avengers_ films for those to pay off in. But when an _Avengers_ entry is just more of the same, I can’t fully get behind it.

That all said, _Age of Ultron_ is of course a lot of fun. A huge amount of fun, I can’t state that enough. And there’s literally nothing more important something in the entertainment industry can be. These are just the things holding it back from taking it up to the next level (or if I’m being completely honest, even taking it to the level the first film was at).

75%

-_Gimly_
The fact that Joss Whedon was able to salvage some sort of coherent film out of all he was forced to cram into a single movie is quite commendable. But the sad fact is that Avengers: Age of Ultron is really just a run of the mill "bad guy wants to destroy the world for reasons" actioner that we've seen done better many times before.

Don't get me wrong. The movie's fun. The dialogue is frequently clever and humourous. And I really appreciated the quiet bits of storytelling that Whedon was able to sneak in. It's just that at the end of the day, the villain is weak sauce, there's way too much set up for other movies, and if I'm criticizing Man of Steel for having excessive destruction, I can't give Avengers a pass since they needlessly blow up not one, not two, but three cities. Pretty sure many insurance agencies went bankrupt paying out all the victims.

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Suicide Squad 2016 kostenlose filme -720p-MPE

Suicide Squad 2016 Online Anschauen Kostenlos



Suicide Squad"




Suicide Squad-MPG-2016-ganzer film-DVDScr-FLA-Dolby Digital-WMV-deutsch-MPG-auf italienisch-MPEG-2-online schauen.jpg




Sachtitel

Suicide Squad 2016

Geltungsdauer

136 kurzer Entwurf

Freilassung

2016-08-03

Qualität

MPEG-2 1440p
DVD

Gattung

Action, Adventure, Crime, Fantasy, Science Fiction

Sprache

English

castname

Thillet
P.
Bollack, Razat E. Elle, Mosan R. Amata









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Summertime 2016 has not been very kind to DC Comics-based personalities looking to shine consistently like their big screen Marvel Comics counterparts. Following the super-sized dud that was _Batman v. Superman: Dawn of Justice_ released a few months ago must really put some major pressure on Warner Bros. to gamble on ensuring that the presence of **Suicide Squad** does not meet the same kind of indifferent reception. Well, it turns out that although the anticipation was high for writer-director David Ayer's supervillain saga involving high-powered imprisoned rogues recruited as U.S. governmental operatives out to stop other skillful baddies (as it was for Zack Ryder's aforementioned "Dawn of Justice") the concoction of **Suicide Squad** feels like a colorful mishmash of collective misfits laboriously taking up space in a disjointed eye candy-coated spectacle that never manages to match its intended sizzle.

One would think that the premise for **Suicide Squad** would tap into the intriguing naughtiness with more robust gumption given the collection of super-powered oddballs asked to be immediate anti-heroes in this toothless jamboree of renegade rejects. Strangely, the grim and brooding presentation of **Suicide Squad** is more of an erratic downer than a hyperactive high-wire act as intended at the creative hands of Ayer. There is no reason why this lively group of adventurous agitators should appear so flat and inconsequential in a boisterous blockbuster that sporadically limps.

Given the twisted members that comprise this elite team of terrorizing tools it is very disappointing to see how **Suicide Squad** struggles with its so-called subversive themes. Sadly, this splattered mess never firmly grasps its bid for distinctive irreverence or off-balance exploitation. Instead, **Squad** feels strained in its execution and we are never really invested in entirely watching these treasured troublemakers find redemption because the story is soggy and uninspired. Furthermore, not all of the **Squad** participants are fleshed out satisfyingly for us to get behind with thirsty cynicism. The headlining leads in Will Smith's Floyd Lawton/Deadshot, Oscar-winner Jared Leto's green-haired Joker and Australian beauty Margot Robbie's Harleen Quinzel/Harley Quinn get the meaty standout parts while the lesser known supporting cast get stuck with chewing on the thankless remaining bone while seemingly acting as background furniture to the bigger names.

Naturally, desperation has set in for the U.S. government as they need to safeguard national security against advanced sinister forces that threaten the fiber of American self-interests everywhere. What better way to hire gifted protection than to consider employing the world's most incarcerated corruptible, cutthroat cretins to perform the dirty work in unforgivable mission ops that require death-defying determination. Enter U.S. Intelligence agent Amanda Waller (Oscar nominee Viola Davis). Waller's duties are to assemble the ragtag team known as the Suicide Squad--ominous (yet talented) jailbirds tapped to step in and assume superhero status (especially when the real superheroes are tied up in other crime-stopping affairs) while helping out for the greater good of our vulnerable society. In exchange for the Suicide Squad's sacrifice in turning from hell-bent heels to reluctant heralded heroes they are promised commuted prison sentences should they effectively defend and destroy the deadly foes out to promote heavy-handed havoc across the board.

Conveniently, bureaucratic bigwig Waller (through voiceover) introduces the Suicide Squad and describes what beneficial assets they bring to the turbulent table. Among the naughty notables include the well-known ace sniper Floyd Lawton/Deadshot as well as legendary lethal joy-boy Joker and his better (or perhaps worst half) in girlfriend Harley Quinn. The other toxic tag-a-longs along for the thrill ride of becoming rebellious rescuers include George Harkness/Boomerang (Jai Courtney), Chato Santana/El Diablo (Jay Hernandez), Waylon Jones/Killer Croc (Adewale Akinnuoye-Agbaje), Tatsu Yamashiro/Katana, Enchantress (Cara Delevingne) and Rick Flag (Joel Kinnaman).

Overall, **Suicide Squad** is surprisingly depressing and goes through the proverbial motions without so much as taking advantage of its surrealistic makeup. The movie never realizes its excitable potential and drifts into yet another superhero yarn that is more patchy than pronounced. Smith's Deadshot is out in the forefront but for the most part feels restrained and not as spry and savvy as one would imagine. Leto's Joker obviously pales in comparison to the brilliant and mesmerizing psychotic take on the role that earned the late Heath Ledger his posthumous Oscar statuette. In all fairness, nobody could inhabit the Clown Prince of Crime as Ledger uncannily did with committed concentration. Still, Leto's Joker--although viciously off-balance--felt recycled and furiously empty at times. Robbie's turn as Joker's misguided main squeeze merely comes off as a bratty Barbie Doll with synthetic edginess. The other **Squad** participants settle for the back burner more or less which is a crying shame because they should have been more engaged than the tepid material allowed them to be initially.

Woefully sketchy and missing the fueled opulence that one would expect emerging from this cockeyed costume caper **Suicide Squad** is a detonating dud for the missing explosive DC Comics movie brand that needs to step up the pace if they expect to make a consistent and challenging impression on the devoted fanboys at the box office looking to move beyond the sardonic fantasy-based realm of another redundant serving of a _Batman/Superman_ entry.

**Suicide Squad** (2016)

Warner Bros.

2 hrs. 3 mins.

Starring: Will Smith, Jared Leto, Margo Robbie, Viola Davis, Joel Kinnaman, Jay Hernandez, Jai Courtney, Scott Eastwood, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Common, Cara Delevinge, Karen Fukuhara, Adam Beach

Directed and Written by: David Ayer

MPPA Rating: PG-13

Genre: Superheroes Saga/Action & Adventure/Comic Book Fantasy

Critic's rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** (2016)
Suicide Squad is the third and latest entry into the DCEU, and is about a bunch of bad guys that are rounded up to fight for someone else. And just like this year's BvS, this movie received overwhelmingly negative reviews by the critics and was divided among the fans. I was super curious to watch it because unlike many, I actually enjoyed the DCEU till this point. Enjoyed both Man of Steel and BvS. But unfortunately, this one's a mess.

The majority of the movie just feels choppy, editing was all over the place. Like they had a final product but because of disagreements, they took out a lot of scenes, shorten the runtime, and added others, making a giant choppy mess in the end. Scenes don't properly flow, including the flashbacks. Some scenes feel like they were added later (Probably the re-shoots) and they definitely didn't fit, particularly the elevator scene with Harley. The songs were all over the place as well. Some worked with their respective scenes, but most of them didn't, and again it felt like something added later, to give the movie a more jolly feel. And difference between development given to each member of the squad is astounding. Some were completely left in the dust, while some got a bit of line here and there, while some got a lot more development. Basically, to me it felt like that the movie reeked of studio involvement.

Also, the focus was just off. Movie is called Suicide Squad yet there is a whole lot of other stuff that gets way too much screentime. The whole end of the world plot was totally generic, uninteresting and unnecessary. The villain wasn't good, and the movements were weird, and not in a good way. Joker-Harley romance was also something padded on, and could have been removed in exchange for more screentime with the squad.

Speaking of the Joker, he and his whole weird mafia/gangster lord type vibe didn't work for me. Jared Leto felt like he was trying too hard at times. There were moments where I saw the Joker I wanted in him, but those moments were swiftly followed by over the top feel that he gave most of the time. And that laugh....Yeah NOPE!!

Even the action was mostly OK, apart from a couple of good scenes. There was no proper thrill, no proper buildup. Too many cuts. Say what you want about Snyder, but you have to admit that the dude can atleast direct amazing action sequences.

And all of that sucks because there is stuff in the movie that works, like the main squad. Will Smith as Deadshot was great. He played his usual cool self and it worked. Margot Robbie as Harley Quinn was sexy and mostly good, because there were few instances where her dialogues gave me cringe. These two had a good chemistry together too. Also liked other members like El Diablo, Killer Croc, and captain Boomerang, all of whom were likable, had some fun moments etc.

Plus, among all the mediocrity, there were glimpses of what the movie could have been like. Fun moments between the squad, some touchy moments, rare cool action sequences, full group scenes or rather a scene, the bar scene and such.

Ultimately, The movie is like a mediocre cake covered with a thin layer of good frosting. The overall taste isn't bad, but it isn't good either. You enjoy the good frosting for a short while, and then have to deal with a whole lot of mediocre tasting body of the cake. I was disappointed. I really REALLY wanted to like this film. Pushed back all the negative or positive criticism and went in with an open mind. I'm not too hopeful what the extended cut will improve as 13 mins of footage isn't much, and I'm guessing it is Joker footage mostly.

It's funny that after watching this, I respect MCU more now considering what they were able to do with the more risky project: Guardians of the Galaxy.

6/10

Blog Post Link: http://reviewsreactor.blogspot.com/2016/10/suicide-squad-2016-movie-review.html
Some semi-interesting visuals and a few characters I'd like to get to know, but an absolute mess of a movie. The thing feels like a trailer, or a clipshow, or a music video or some other sort of two-hour long promotional material for the actual _Suicide Squad_ that comes out later.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**They are not superheroes, they are supervillains.**

It's nothing against DC, but overall I'm starting to think the todays cinema is getting crowded with the lots of superheroes. Just like any pollution or the over population on the earth's surface. It needs stability, but nobody cares about it other than money making agenda. I also think it's going to last for only a few more years, when this trend going to end like that happened in the 70s, 80s and the 90s. And the space travel era to begin which is already kick- started. So DC or Marvel and others, they should be careful, for far they could take their products.

Like the title say, it's not just about the film characters, the film itself a suicidal. I'm not saying the film was unnecessary, but the plot was dragged too much. There are too many pauses, or you can call time wasting moments. I could not take another blowing up city concept. And that swirling thing in the sky, I don't know how long they are going to use it in the superhero films. I did not like the supernatural concept which is supposed to be a pure science fiction action adventure. At least Thor was from another planet, more like he's an alien, but the witch in this film, ruined my appetite.

The actors were not bad and so the graphics, including the stunt sequences. The story was very familiar. It was more or less, same as the animated flick 'Monsters vs Aliens'. It can be watched for entertainment purpose, the majority won't say it's their favourite or one of the best of the year. But surely there are people who would love it. It was a massive box office hit and I don't see any hurdle for its sequel, but all I hope is it to get better in the follow-up. So finally, it's not a bad film or boring, but it just did not have the midas touch that all the superhero films had. That means a watchable film, only for once.

_5/10_
Aka NEEDLE DROP: THE MOVIE

SUICIDE SQUAD is a mess. But an entertaining, well-cast mess.
*** This review may contain spoilers ***

Suicide Squad has a horrible script. First, there was the story--such as it was--itself: A super villain with the power to end the world goes to work in a universe that has established Batman and Wonder Woman. So what do the authorities do? Call up Batman and Wonder Woman? Of course not! Hire a bunch of criminals to save the world.

It would be like if the U.S. was invaded by China, and we went and got the Taliban to protect us.

So, from the very bones of the story, the movie fails. Add in a tell-and-don't-show approach to characterization, and horrendous dialogue, and this film was doomed before it got off the printed page. I really wanted to like this film, but I just couldn't.

So, let's go back to the tell-and-don't-show approach to the characters. Instead of seeing and experiencing anything, we're told what such-and-such is all about. It's an incredibly boring and lazy style of writing. Look at he scene where the principal characters all sit around and tell stories while they have a drink. But that's the thing: They shouldn't be telling us anything. Everything that is told to us as if we're a classroom of elementary school students instead of adults who can put two and two together, should be revealed through each character's dialogue and actions. But that would require some actual writing. This movie seems like it simply filmed the first draft of the screenplay. And then there's the dialogue itself. "I've already killed one family; I won't kill another." Who wrote this? A high school kid who thought he was being deep? Flagg refers to the love of his life as the girl he "was sleeping with." Serious? You're risking your life to save some broad you're banging? And then after two hours of watching Harley pine for Joker and reject the rest of the members of her "squad", she's finally given the chance to be with the Joker and live happily ever after. Well, despite everything we've seen for the past two hours alluding to the fact that that is exactly what she wants, she rejects that for "her friends." She's never shown any sort of friendship so far in this movie. But, dialogue.

It's typical fill-in-the-blank writing. So, Harley didn't show any love for her "friends" but did for Joker. And then chose her "friends" over the Joker. So, I guess it's up to the audience to "fill in the blank" and decide what Harley's change of heart was all about? It shouldn't be the audience's responsibility to do the writer's job.

The characters themselves were boring and uninteresting. Despite wasting the first 20 or so minutes on the film trying to make us love the psychotic Harley Quinn and mass murdering Deadshot, I didn't care. I just couldn't care for anyone or anything happening. It was like there was an invisible barrier between me and the screen. I just couldn't get into the movie. And since no one other than Harley, Deadshot, and Flagg got a pointless backstory introduction, the audience feels, subconsciously, that these are the characters that will carry the story. They don't. The only character that was even remotely interesting was Katana. And despite a few flashes here and there of decent martial arts and kenjutsu action, the character is wasted.

And speaking of wasted characters, let's talk Joker. Jared Leto was upset how much of the Joker was cut from the film. If you can cut such a big name and charismatic character down to the point where the actor playing him complains, and still get away with a finished film, the problems with the script become apparent. Joker was wasted in this film. You cut him out entirely, the overall story doesn't change. So, why include him in the first place? Because shared universe...maybe? Or something? I don't know. And neither do the filmmakers.

And while I know almost everyone on the planet--including those who despise the movie--praise Margot Robbie's Harley, I found her shtick getting old rather quickly. And then to top that off, she reneges on her established motive, thus making her a totally pointless character.

And, before we move on from the topic of bad characterization, what was with Amanda Waller (a good guy...I guess?) executing FBI agents? I feel like I missed the most important scene in the movie--the one that shows something that makes the entire movie make sense. But then again, Amanda Waller doesn't make good choices. She has a folder, inside of which is a list of the upcoming DCEU characters: Aquaman, Flash, Cyborg, etc. She actually has dinner with Batman. But she puts the world's fate in the hands of Diablo, Boomerang, Harley Quinn and Deadshot. It's like calling the police because of a problem, and then scouring death row for the people who will actually solve this problem. Yeah, I'm confused too.

But let's go to the ending. Because the ending shows us one thing: That the Suicide Squad's involvement in all of this was totally pointless. Simple bombs end up saving the day. Bombs. Man made, average, everyday bombs. Satchel charges. Any idiot in a uniform can detonate a bomb. So, why let out a bunch of mass murderers to save the world, if saving the world only involves setting off satchel charges? I mean, why not call the Air Force in, have them drop a couple of bombs, and send a guaranteed-to-be-disappointed-audience-anyway home early? One phone call to the Pentagon, and the ENTIRE MOVIE is UNNECESSARY. But, DC.

In the end, this movie was a total disaster.

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The Lobster 2015 kostenlose filme -720p-MPEG-1

The Lobster 2015 Online Anschauen



The Lobster"




The Lobster-deutsch-2015-download-kostenlos-Blu-ray-1080p-MPEG-2-mit untertitel-stream hd-online stream-stream-auf englisch.jpg




Überschrift

The Lobster 2015

Dauer

113 minutiös

Befreiung,Entbindung

2015-07-10

Güte

WMV 1440p
WEB-DL

Genre

Thriller, Comedy, Drama, Romance, Science Fiction

Jargon

English, Français

castname

Sabin
N.
Aïden, Dufourt Z. Harison, Dayle W. Nathan









The Lobster 2015 The Lobster ganzer film deutsch, The Lobster online stream - Ganzer film, The Lobster ganzer film online stream - Deutsch



> Another peculiar dystopian tale set in the future.

From the director of the Oscars nominated movie 'Dogtooth'. If you are familiar with his signature movie, you will find it so good. This is not the best movie I had seen that set in the future, but like any other it was another dystopian tale. A black comedy-romance with a decent storyline, performances and overall a nice entertainer.

The pace was very depressing, but I kept hooked to it for its frequent unpredictable scenes. The first act took place in a hotel which is the introduction to the odd world and the situation where the plot opens. When it moved to the 2nd half, especially after Rachel Weisz come into the frame, the entire scenario changed to atypical romance mode and kept that way till the last with a simple twist in the finale.

Colin Ferrell's character was something like the one from the movie 'Her'. But not the same movie, or the theme, except the combination of the genres. It was a good movie, I enjoyed it, but not as much as others say they did. IMPO, it is a one time watch movie for its peculiarness.

7/10
This was an odd experience, as I just recently ended a self-imposed 12-year moratorium on relationships, due to a couple of bad ones I had within a short period of time in the early 2000's. It was very intriguing to see a type of dystopia exist in which 'singledom' was so vilified to the point of actually being against the law. I would never have previously thought that such a state of events was possible, but recent trends in 'political correctedness' on the one hand and both religious and political radicalism on the other means that, sadly, nothing is impossible anymore. I thought it was a remarkable idea for a film, and both the soundtrack and cinematography were outstanding. The bizarre script and bold direction brought forth some of the best acting I have yet seen from Colin Ferrell, Rachel Weisz and John C. Reilly, as well.

I'm definitely looking forward to seeing other films by this brazenly original writer/director. Long may his almost-Bunuelian take on things go forth.
This was Yorgos Lanthimos' English language debut. It was really funny. All of the actors had to perform their lines straight-faced and with no emotion which is very strange at first.

The screenplay and direction of the film was very intelligent and perfectly highlights the themes of the film. This film was very quirky and unique and so I really enjoyed it.

★★★★

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Globster – Wikipedia ~ Als Globster bezeichnet man große knochenlose und gummiartige Kadaver die an verschiedenen Stellen des Meeres an den Strand gespült heute konnte nicht immer geklärt werden worum es sich handelte In einem Fall wurde von Walblubber ausgegangen allgemein könnte es sich um Walkadaver oder deren Überreste handeln

Giorgos Lanthimos – Wikipedia ~ Leben Lanthimos wurde in Athen geboren und lernte an der Stavrakos Film School das Regiehandwerk In den 1990ern war er Regisseur bei verschiedenen Videos für griechische Tanztheater sowie für Werbefilme Musikvideos und experimentelle Theaterstücke

Amerikanischer Hummer – Wikipedia ~ Der Amerikanische Hummer Homarus americanus auch Nordhummer oder MaineHummer genannt ist eine Art der Zehnfußkrebse aus der Familie der Hummerartigen Nephropidae

Karl Heinz Willschrei – Wikipedia ~ Leben und Wirken Willschrei wurde bereits 1942 Halbwaise sein Vater fiel im Krieg Er wuchs mit der Mutter in einem Arbeiterviertel von Essen auf Nach dem Abitur studierte er in München und Wien Theaterwissenschaft Germanistik Philosophie und Zeitungswissenschaft 1965 promovierte er mit einer Arbeit über „Die poetischen Gattungen und ihr Verhältnis zur Bühne“

Sfogliatelle – Wikipedia ~ Sfogliatelle sfɔʎʎaˈtɛllɛ von italienisch sfoglia Blätterteig Singular Sfogliatella ist eine italienische Gebäckspezialität aus Neapel Das Gebäck stammt aus dem Kloster Santa Rosa in der Nähe von Salerno und besteht in der heutigen Form aus einer kegelförmigen Blätterteigtasche mit einer süßen Ricottafüllung mit Zimt und Orangenblütenaroma

Heinz Baumann – Wikipedia ~ Leben und Karriere Baumann war zu Beginn seiner Schauspielerkarriere vor allem auf der Theaterbühne tätig Einem breiten Publikum wurde er 1960 durch seine Rolle des Martin Hartog in der Filmkomödie Das Spukschloß im Spessart an der Seite von Liselotte Pulver bekannt Weitere Film und Fernsehproduktionen machten ihn schnell zu einer festen Größe in der Medienlandschaft

Tilli Breidenbach – Wikipedia ~ Leben Tilli Breidenbach wuchs in Köln auf wo sie nach dem Abitur zunächst Germanistik Romanistik und Kunstgeschichte studierte An der Schauspielschule der Kölner Bühnen erlernte sie schließlich den Schauspielberuf Nach dem Zweiten Weltkrieg gehörte sie u a zum Ensemble des Staatstheaters Darmstadt zwischen 1948 und 1950 spielte Breidenbach am Landestheater in Kiel Engagements in

Nicholas Brendon – Wikipedia ~ Leben Schultz spielte während der Highschool Jahr nach dem Abschluss musste er jedoch seine Karriere als ProfiBaseballer wegen einer Armverletzung beenden


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The Lego Movie 2014 kostenlose filme -1080p-WMV

The Lego Movie 2014 Mit Untertitel Stream



The Lego Movie"




The Lego Movie-online stream-2014-MPEG-2-DTS-WEBrip-M4V-MPG-1080p-untertitel-Dolby Digital-stream hd-kostenlos.jpg




Ehrentitel

The Lego Movie 2014

Dauer

188 Besprechungsprotokoll

Befreiung,Entbindung

2014-02-06

Qualität

MPEG-2 1440p
VHSRip

Genre

Adventure, Animation, Comedy, Family, Fantasy

Fachsprache

English

castname

Quintus
I.
Shaïna, Éloise B. Harveen, Bond D. Cheikh









The Lego Movie 2014 The Lego Movie ganzer film deutsch, The Lego Movie online stream - Ganzer film, The Lego Movie ganzer film online stream - Deutsch



Excellent movie for Legos ;) . Great for the whole family as well as adults. I had quite a few chuckles from this film and enjoyed it the whole way. Animation was great and the movie had a fairly decent plot as well. I give it 2 thumbs up, I could see myself watching this a second or third time with the familiy.
If you're Lego you will love this movie.

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Liste von Fluggesellschaften – Wikipedia ~ Dieser Artikel beinhaltet eine Auflistung aktiver Fluggesellschaften Eine Ordnung nach Größe findet sich auf der Liste der größten Fluggesellschaften der Welt Ehemalige Gesellschaften sind in der Liste ehemaliger Fluggesellschaften aufgeführt

AbkürzungenLuftfahrtL–R – Wikipedia ~ Dies ist der vierte Teil der Liste AbkürzungenLuftfahrt Liste der Abkürzungen

Akutes Nierenversagen – Wikipedia ~ Das akute Nierenversagen kann an oligo oder polyurisch sein Um die Exkretionsleistung der Nieren einzuschätzen werden die sog Retentionswerte herangezogen wobei es sich um die Konzentrationen von Harnstoff und Kreatinin im Serum handelt Diese Substanzen die Endprodukte des Eiweißstoffwechsels darstellen wirken selbst nicht giftig


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The Avengers 2012 kostenlose filme -1080p-WMV

The Avengers 2012 Ganzer Film



The Avengers"




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Ehrentitel

The Avengers 2012

Dauer

167 Minute

Freigabe

2012-04-25

Eigenschaft

WMV 1080p
WEB-DL

Genre

Science Fiction, Action, Adventure

Jargon

English, हिन्दी, Pусский

castname

Loni
O.
Chanell, Orlina L. Kalise, Koen D. Umrah









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With a movie like this you wonder how all of the otherwise, main characters will work together and support the story.

No problems here. While as might be expected, R. Downey Jr. comes across largely central, it is still a good mix and IMHO the best scenes in the movie involve the generated Hulk character.

With that kind of successful melding of characters, Hollywood-scale egos and even computer generated characters; you have to give it up to the writers and director to make this the successful film that it is.
**A long format review from 2012**

My new favourite Marvel Cinematic Universe film, undoubtedly! Order goes thusly;

1. The Avengers
2. Iron Man
3. Thor
4. Captain America
5. Iron Man 2
6. The Incredible Hulk

I had the privilege of going to Sydney and watching this almost a full three weeks before it’s American release, in a special advance screening for fans and a handful of critics. I drove up and back on a day trip with my mate HRV, spent over $400 between us… So worth it.

I think perhaps my expectations of The Avengers were too high. In fact I know they were, even so, I feel that it almost managed to meet them. All but two of the fears I had about this epic were quashed without a doubt. I initially was worried about Mark Ruffalo helming the role of The Hulk/Bruce Banner after taking over from Edward Norton who was ousted after his first appearance. My complaints were completely unfounded however, as Mark Ruffalo presents us with an at least as good Marvel Hero.

In terms of entertainment, The Avengers is one of the greatest feats ever produced. At the screening I went to, I actually missed more than a couple of lines due to the fact that the entire bloody cinema was in hysterics from some classic Joss Whedon (Director - Buffy, Angel, Firefly, Dollhouse) humour. The squabbles between these larger than life characters are not quite up to the peak that Jon Favreau’s Iron Man & Iron Man 2 sit on, but in terms of film in general, they are some of the better interactions I’ve ever seen.

The only weak points I really have to whinge about are both quite minor, and perhaps can be rectified in the MCU future. Firstly, Thor’s return to Earth (whilst brilliantly dramatic and pretty) was quite weak in terms of exposition. That said, this isn’t a Thor movie, so we don’t need to know everything that happens to him. Also, in next year’s Thor 2, it is very possible we’ll discover more specific details about the first few scenes of his return. Secondly, Loki’s army also came across to me quite weakly. In case we have any Marvel aficionados in the crowd, I won’t spoil it by telling you who they’re supposed to be, but in general the whole army was essentially a meat shield used to bump out scenes in which The Avengers get to kick ass. A very enjoyable part of the film, but one that doesn’t really drive the story at all.

I feel the only way I can adequately describe just how much you need to see this movie (in cinemas) is this: For those of you who understand me, you will be know and be aware of just how much I fucking hate the concept of Blu-Ray. I am going to buy a Blu-Ray player, a HD television, and Blu-Ray discs, just so that I will get more special features when The Avengers is released. Never have I even considered doing such a thing before.

The Avengers doesn’t get into your mind and rape it in the best way possible like Revolver or Donnie Darko. It doesn’t get into your guts and turn them with nostalgic violence like the brilliance in Doomsday or Outpost. It gets into your heart, and leaves you not just wanting, but needing more. Long live the MCU!

90%

-Gimly
After the recent disappointments from Marvel, notably Thor and the abysmal second instalment of Ghost Rider, this was a pleasant experience.

The special effects are dazzling, the plot is acceptable and the heroes are not making total idiots out of themselves just because the director wanted some “depth” to their characters. Sure there is a little bickering in between them but not too much to distract from the fun.

I’ve always liked Robert Downey Jr’s portrayal of Tony Stark and his sharp tongue. I did wonder how they where going to get the Hulk in there since he’s supposed to be uncontrollable but they did it. Okay they downplayed his uncontrollability a bit but I can live with that. I absolutely loved the “puny god” scene (if you haven’t seen the film yet you’ll have to see it to know what I mean, I wont spoil it in advance).

I have to say that I found Thor himself a bit underwhelming again though. I just expect something more imposing as the good of thunder. But then I’m Scandinavian so…

Anyway, this was a great film. I enjoyed it very much.
One of the few movies to actually make me feel like a kid again, Joss Whedon was the perfect filmmaker to do this film. Everyone gets their time to shine. The script juggles every plot point and character moment with clarity and ease. It's funny, smart, and visually jaw dropping. Definitely lived up to the five movie hype.

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Nocturnal Animals 2016 kostenlose filme -720p-MPEG-1

Nocturnal Animals 2016 Mit Untertitel Stream



Nocturnal Animals"




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Buchtitel

Nocturnal Animals 2016

Geltungsdauer

143 Augenblick

Freisprechung

2016-11-04

Güte

DTS 720p
VHSRip

Genre

Drama, Thriller

Fachsprache

English

castname

Florrie
W.
Shaïna, Mark Z. Broca, Demitra A. Filiz









Nocturnal Animals 2016 Nocturnal Animals ganzer film deutsch, Nocturnal Animals online stream - Ganzer film, Nocturnal Animals ganzer film online stream - Deutsch



We live in a country where our current presidential candidates fail to compare to our current president. We live in a country where minorities have been a subject to police brutality. We live in a country where you must enter debt by taking out a student loan and you are still not guaranteed a successful future. Are you uncomfortable yet? Comfortability won't be found here or in fashion designer turned director Tom Ford's second featured film Nocturnal Animals. The director forces you to become comfortable with being uncomfortable and the result is the most beautiful disturbingly gripping films of 2016.



> From writer/director Tom Ford comes a haunting romantic thriller of shocking intimacy and gripping tension that explores the thin lines between love and cruelty, and revenge and redemption. Academy Award nominees Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves in NOCTURNAL ANIMALS.

Director Tom Ford starts the film with a close up of a handful of naked older white females dancing nakedly with bodies society would be disturbed by. Ford does not focuses on just one part of the body but every piece of fat, extra skin, crease, scar, and stretch mark to really push your comfortability. No, Ford is not going for shock value, especially not so early in the film because there will be plenty time for that, but he is being nice of enough to give the audience a disclaimer. A disclaimer that nothing will be more comfortable than the opening sequence and if you couldn't handle that then Nocturnal Animals is going to be one hell of a trip for you. Heck, regardless, Nocturnal Animals is one hell of a trip.

Nocturnal Animals itself contains a double narrative strand which consists of Susan's real life and her bringing the book of her ex-husband to life. Ford does not implement a voiceover to let you know that you are now in the world of the book yet he makes you feel that you are watching another film. Ford pulls off a difficult task in making the audience care about both narratives and you want to believe that both are fictional then the uncomfortability levels begin to raise once again as you are forced to remember that one is indeed reality. Tony & Susan, the 1993 novel that the films was adapted from, unfolds how intimate the act of reading could be as an author could tap into the reader's thoughts, feelings and experience. Tom Ford pulls this same feat but just with the act of watching a film.

With his first job being a fashion designer, one would only assume to be blown away by the visuals Tom Ford would create. This is true as various scenes of LA and west Texas are beyond stunning but no one would expect the clash of visuals Ford would create with LA and west Texas. The transition from super cool and grotesque LA to a brutal, violent and revengeful west Texas will once again raise your uncomfortability levels.

After all, this is a revenge film. We learn throughout the film that Susan, who comes from a wealthy family, falls in love with an inspiring author in Jake Gyllenhaal's Tony but would eventually go on to break his art in three different way. First, by telling him to take a step back from his dream of being an author. Secondly, aborting his child. Then, if the first two wasn't enough, she lives him for the handsome and dashing Armie Hammer's Hutton. Susan goes on to live the perfect life with Hutton and 20 years after her divorce with Tony, he decides to quietly place a novel about revenge in her mailbox. We feel Susan's chills as she reads the novel and without ever needing to say a word to her, Susan's perfect little world becomes to crumble

Jake Gyllenhaal and Amy Adams give us exactly what we expect from them. Aaron Taylor-Johnson offers a spine-chilling performance as Ray Marcus and Michael Shannon is fantastic as Bobby Andes. Tom Ford finally takes off his fashion designer hat and puts his fully-fledged director hat on as that was his approach with this film and two narratives. Tom Ford sustains the point that he is not a fashion designer turned director but a full-fledged director as a lesser director would have totally botched this film.
**RE
VEN
GE**

This was simply awesome. I meant the story, but the presentation was not my kind. I got the story and I enjoyed it. The performances can't be neglected either. Both the lead, Jake and Amy were the film's highlight. But I also happy for Michale Shannon's Oscars nominee. Based on the novel 'Tony and Susan', but for the film adaptation, the title got inspired by the book that appear in the story. From the director of 'A Single Man' which is his comeback film after a long gap. I would say a good attempt.

This is the story of a successful art gallery boss who got divorced and remarried to the man whom she was cheating with from her ex. Her decision was in particular influenced by her mother. Now she thinks she's happy, but one day her ex sends a copy of his latest novel that's dedicated in her name. Reading it, she realises the tough time he'd with their separation. Following the end of the book, she encounters an unexpected truth which could affect her life forever.

A dual layer story. One was fiction and the other one in the real world. But the fictional tale highly influences the main narration and that's what I call the genuine writing. So the credit must go to none other than the original author. I have seen lots of revenge films, even it can be compared to 'Three Colours: White', but the major difference is the sweet revenge. For that alone the film was awesome. The climax was even better. If you understand the narration, you will enjoy it for sure. The filmmaking should have been a bit better. Excluding that the film is not to be skipped.

_6/10_
A compelling thriller with an open-ended ending that feels far too easy for what it had going for it.

Nocturnal Animals starts out very strong. It feels reminiscent of Lynch's Lost Highway or Mulholland Dr. The main character lives a luxurious life surrounded by some very striking pieces of art (art pieces which, throughout the story, make things even more thrilling and surreal). She reads her ex-boyfriend's novel which quite honestly makes us feel like we're in a bad dream. The way the novel starts out feels like Michael Haneke's Funny Games. Its opening scene with Aaron Taylor-Johnson so brilliantly builds in tension with his character's mind games. The story however turns into a bit of a tame crime mystery held up with a sort of fun performance from Michael Shannon. The potential to be a very cryptic thriller is there, but decides instead to put all the pieces together for us. As a Lynch fan, this movie made me crave something stranger. I really wanted to be left mystified but instead I got an ending that was kind of obvious.
Only in a world where a Reality TV star becomes President could Tom Ford be one of the best directors of the year... I guess that'd be this world.

_Final rating:★★★★ - An all round good movie with a little something extra._

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