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Bezeichnung	John Wick 2014
Geltungsdauer	186 Augenblick
Freistellung	2014-10-22
Beschaffenheit	AVCHD 1080p WEB-DL
Genre	Action, Thriller
Programmiersprache	Magyar, English, Pусский
castname	Bailee V. Wasib, Walter T. Proulx, Alisa Z. Kidman

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This is very much my kind of movie. Straightforward, lots of good action, our hero never waivers from his path and no social or emotional nonsense. Those who have watched the movie might wonder why I claim that there is not emotional nonsense since the entire plot is driven by John Wick’s very emotional response to his wife’s death and the subsequent killing of the dog that he received as a last present from her. What I mean with “no emotional nonsense” is that John Wick is never second guessing himself, the movie never really tries to portray him as an “ordinary” guy having second thoughts about killing the bad guys and he doesn’t go into some silly “oh should I really pull the trigger” trance and drops the gun in the worst possible moments as is done in a lot of movies. Sure, there are emotions in this movie. Rage and thirst for revenge in particular with the addition of a healthy dose of fear from the bad guys…eventually that is.

The plot of the movie is, as I wrote, quite straightforward and classical. Retired hit man gets wronged by idiot son of big bad guy. Hit man gets pissed off and goes on a quest for revenge. People die (a lot of them). Hit man and big bad guy have a show down at the end. In terms of story that is about it. However, such a story can be told and presented in a good and entertaining way and in a less good and entertaining way. As far as I am concerned the way the story is told in this movie is very, very entertaining.

Keanu Reeves is quite good as the hit man. So are the big bad guy and most of the other actors of any importance. During the course of the movie we get more than a few glimpses into John Wick’s former life and it is a quite cool background that have been elaborated. The secret world that John Wick was once part of and how it works and operates would be worthy a good old-fashioned James Bond movie.

Then of course there is the action. It is an action movie so you do expect quite some expenditure on the action and this movie do not disappoint. There are lots of action and it is good action. Sure, the ease by which John Wick picks off his opponents waiving his gun(s) in all direction without hardly looking is sometimes a bit over the top but it is still done with a fluidness and grace that just makes it … so cool. The gun fights are generally mixed up with some equally good martial arts close combat stuff and it is really well woven together.

One thing that I really like with this movie is that John Wick is the cool, cold, determined, not to be pissed off, killing machine from start to finish. There are really no slow parts or “obligatory” scenes of doubt and self-recrimination. It is “the bad guys will pay” all the way. This of course gives the opportunity to include some other elements that I quite like in a story like this. For instance the parts where the spoiled total idiot son of the big bad guy slowly gets his arrogance replaced by some good, honest to God, fear. Fear of death and fear of the guy he so carelessly pissed off.

Needless to say, I enjoyed this movie a lot when I sat down to watch it with my oldest son yesterday.
I don't get why this movie has such good reviews. It simple and quite uninteresting. Lots of actions and well known faces (many from TV series), but nothing else. The same old brainless plot to justify tons of bullets.
Woof!

Keanu Reeves is the John Wick of the title, a grieving one man army who gets tipped over the edge when gangsters kill his dog. Carnage ensues.

The paying public do like a good revenge flick, there have been plenty this last couple of decades, and they do go down well. Once the set-up has been staged - Wick grieves at the loss of his loved one - gets some small joy via a pet - only to have that snatched away from him, then the film becomes a joyously unstoppable actioner.

Wick, in good hands with a moody and beefy Reeves (face fuzz strange, though) strong in presence, cuts a swathe through the gangland eastern blockers. And that's pretty much it! Characterisations are thin on the ground, it's a bit nutty and of course preposterous, but boy is it fun. There you go, a box office winning actioner without pretensions. Enjoy. 7/10
~NO SPOILERS~

John Wick is an excellent revenge action movie that raises the bar with its excellent lighting, cinematography, and martial arts displays from Keanu.

Mr Wick spends the rest of the film getting even with a mob boss for the actions of his son who killed his dog and stole his car. As far as the plot goes, its pretty simple but there is a lot of depth to the world.

Reeves displays a decent amount of acting range here, but his real talent is bringing bad guys down one headshot at a time. Its glorious to see him smack a guy over the head, hold him down while reloading, and then take him out.

The best thing about this film is the lack of shaky cam-- you can see all the action happening clearly. This is made possible by the dedication of the actors in their martial arts training.

Support films like this, they are a rare breed these days!
**Pure unadulterated action**

John Wick - it's that kind of a character whose name is enough to inflict terror in the minds of people. And whoever isn't terrified doesn't mean that they're better, it just means that they don't know JOHN WICK.

It definitely isn't the first character of it's kind, but very few characters of this kind convince you that they are what they are supposed to be. Let's just say that John Wick kicks a** and he is pretty awesome at that.

I can't think of anyone else to be John Wick other than Keanu Reeves, the guy's living the character on screen. The hand to hand combat, usage of knives and guns, the action, it all seems poetic at times. The thing I loved the most is that there wasn't too much noise, no Boom Boom, just the Bang Bang, exactly what you'd expect from a hit-man.

The cinematography, dialogues, background score, direction, action, everything was just what a movie like this needs. It ticked all the right boxes for me and I think every action movie fan would lap this one up.

It is a great action revenge movie that never runs out of steam throughout it's course. So, everyone who loves to see bullets flying all over the screen, or to quote it better, say hitting just the right spots, go treat yourself to this movie. You'd be glad.

An 8 out of 10

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Django Unchained 2012 kostenlose filme -1080p-FLV

Django Unchained 2012 Online Anschauen

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Rechtsanspruch	Django Unchained 2012
Geltungsdauer	165 peinlich genau
Freistellung	2012-12-25
Qualität	FLA 1080p BDRip
Gattung	Drama, Western
Programmiersprache	English, Français, Deutsch
castname	Hardin S. Toscane, Aline Z. Fode, Beren Z. Amita

Django Unchained 2012 Django Unchained ganzer film deutsch, Django Unchained online stream - Ganzer film, Django Unchained ganzer film online stream - Deutsch

America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A

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The Help 2011 kostenlose filme -1080p-SDDS

The Help 2011 Online Stream

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Adelstitel	The Help 2011
Geltungsdauer	116 Niederschrift
Freisetzung	2011-08-09
Güte	M1V 1080p HDTV
Genre	Drama
Programmiersprache	English
castname	Demi H. Jackson, Huot N. Regina, Geraldo A. Chavez

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Great setting, cast, story and performances. A must to be seen.
I just watched The Help, almost immediately after finishing the book. Now, when comparing The Film to The Book it was based on (generally speaking), one major rule of thumb almost always applies: The Book is better. The Help is no exception.

Accordingly, with the novel still so fresh in the back of my mind, separating my mind from the book in order to enjoy the film was an almost impossible task. No matter how hard you try, you just can't quit comparing the two, nitpicking every detail and being frustrated with everything they changed. Nevertheless, I was still able to enjoy the film for what it was, though I am glad that I possessed full knowledge of the actual story.

The Help tells the story of black domestic servants in 1960's Jackson, Mississippi. It focuses on white Miss Eugenia 'Skeeter' Phelan, and her efforts to give a voice to black maids by writing their stories from their perspective and thus giving them an opportunity to be heard for the first time in their lives. Among the black women, Aibileen and Minny are the two key characters.

So let's just get the "bad" stuff out of the way. One of the elements in the novel that I enjoyed the most was the incredibly delicate bond of trust and understanding that builds up (over an extensive period of time) between Aibileen and Skeeter. It really does take Skeeter a long time before she finally wins Aibileen over and convinces her to share her deepest feelings with a white woman. In the film, this process felt rather rushed, like Aibileen just woke up the next morning and decided to do it. What bothers me about this is not just the fact that (oh, cliché) it was "better" in the book, but mostly because the film forgets to underline WHY it took so long. Not only is it much more clearly explained in writing that these black women face an incredible danger in divulging their true feelings about the white women they work for, the film also fails to capture the palpable tension and sense of urgency of the book. These women aren't just risking their jobs, they are risking their lives, AND the lives of their loved ones. They're in danger just for being seen talking to a white lady. I found this to be a rather big flaw of the film.

The film also lacks a lot of the character development I was hoping for. Quite a few character changes were made, so that in the film they all just kind of appear out of nowhere, and more or less seem to go about their business without – again – the big "why" of it all. One of the most underexposed characters was a woman named Celia Foote, who is a poor white trash girl who married way out of her league – and because of it, has to face the constant disgrace and condescension from the other stuck-up, "sophisticated" white ladies. Celia is just the sweetest, loveliest person in the entire story, and her relationship with her maid Minny is heart warming. The fact that they barely included this in the film is a real shame.

OK – if I keep comparing the film to the book, this review will never reach its end. Obviously, there is a lot more I could (and certainly want to) say, but it's not really relevant to the effectiveness of this review. So, moving on.

At least they got the actors right! Each and every one of them was cast spot-on to their character. Emma Stone is wonderful as Skeeter –capturing her youthful daring and naiveté perfectly. There's also something about her voice and attitude that make it clear that this girl is different from her snooty bridge club peers. Viola Davis is the perfect Aibileen – all I kept thinking was, damn, she should have gotten that Oscar. Her performance is very moving and heartfelt. Octavia Spencer did actually win an Oscar for her role as Minny, and it was well deserved. She is exactly as I imagined Minny to be – sassy, smart-mouthed and with an attitude that could render any white woman speechless, even if it means losing her job a dozen times. Celia Foote is played by Jessica Chastain, and I fear I'm at risk of doubling over in superlatives to describe how perfect she was, so I'll just leave it at this.

The Evil Witch in this story is Hilly Holbrook, played by Bryce Dallas Howard. I'm not sure how big of a compliment it is to say that she is very good at playing a snide, cunning racist – so let's just say she is a very good actress. Another actress worth mentioning is Allison Janney, who plays the role of Skeeter's mother. Though she is not quite like I imagined her the way she was in the book (there we go again...), I always enjoy her performances very much and this one's no exception. Oh, and Sissy Spacek plays Hilly's mother, and she is a delight to watch. I got the feeling that the director extended her role to a little more than what it was in the book, just to give her more screen time. I don't blame him.

Overall, the film is properly paced and reasonably well-constructed, though some creative liberties are taken here and there considering the timeline. In comparison to the book, it is a little disappointing, but I can't think of a single book-to-film adaptation where this wasn't the case.

I still rate The Help 8 out of 10, because I think it is an important story to be told and the performances are stellar, but if you have a little more patience, I strongly recommend reading the book instead.
_(March 2013)_

LP – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

The Slim Shady LP – Wikipedia ~ The Slim Shady LP Slim Shady bezeichnet Eminems Alter Ego ist nach dem UntergrundAlbum Infinite das zweite Soloalbum des USamerikanischen Rappers erschien am 23 Februar 1999 über Dr Dres Label Aftermath Entertainment sowie Interscope Records und stellt den Beginn des kommerziellen Erfolgs von Eminem dar

The Marshall Mathers LP 2 – Wikipedia ~ Das Albumcover wurde am 20 September 2013 über Eminems TwitterAccount verö ist in SchwarzWeiß gehalten und zeigt ein Holzhaus das bereits für das Cover von The Marshall Mathers LP diente und in dem der Rapper einen Teil seiner Kindheit verbrachte Fenster und Türen des Hauses sind mit Brettern vernagelt und im Vordergrund befindet sich ein Nadelbaum

LpRaum – Wikipedia ~ Die Räume auch LebesgueRäume sind in der Mathematik spezielle Räume die aus allen pfach integrierbaren Funktionen bestehen Das L in der Bezeichnung geht auf den französischen Mathematiker Henri Léon Lebesgue zurück da diese Räume über das LebesgueIntegral definiert werden Im Fall Banachraumwertiger Funktionen wie im Folgenden für allgemeines dargestellt bezeichnet man sie

Lineare Optimierung – Wikipedia ~ Geschichte Die Methode der linearen Optimierung wurde 1939 von dem sowjetischen Mathematiker Leonid Witaljewitsch Kantorowitsch in seinem Aufsatz „Mathematische Methoden für die Organisation und Planung der Produktion“ eingeführt Kurz danach veröffentlichte der Amerikaner Frank L Hitchcock eine Arbeit zu einem erkannte man noch nicht die Bedeutung dieser Arbeiten

Limited Partnership – Wikipedia ~ Eine Limited Partnership abgekürzt LP oder englisch für Beschränkte Partnerschaft ist eine angelsächsische Unternehmensrechtsform die mit einer deutschen Kommanditgesellschaft vergleichbar ist und aus mindestens zwei Gesellschaftern besteht Die Limited Partnership ist eine Rechtsform unter der viele angelsächsische PrivateEquityund VentureCapitalGesellschaften geführt werden

Lloyd 300 – Wikipedia ~ Motor und Getriebe Angetrieben wurde der Lloyd von einem vor der Vorderachse quer eingebauten luftgekühlten ZweitaktZweizylinderMotor Twin mit einem Hubraum von 293 cm³ der 10 PS bei 4000min leistete Die Kraft wurde über ein nicht synchronisiertes DreigangSchieberadgetriebe auf die Vorderräder ü Höchstgeschwindigkeit betrug ca 70 kmh und der Verbrauch lag bei 55

Regenballade – Wikipedia ~ Mit geringfügigen Ausnahmen hat Reichel auf dieser Platte auch sämtliche Instrumente gespielt Bedeutung Seit seinem Erscheinen wird das Album als Unterrichtsmittel im bundesdeutschen muttersprachlichen Unterricht verwendet was viele Unterrichtsempfehlungen und Praxisberichte in pädagogischen Fachzeitschriften belegen

Rechtsfahrgebot – Wikipedia ~ Geschichte Seit römischer Zeit wurde in Europa links gefahren Erst Napoleon Bonaparte führte zunächst in Frankreich später in den von ihm besetzten Ländern das Rechtsfahrgebot ein welches sich dadurch im größten Teil Europas Österreich wurde das Rechtsfahrgebot 1938 mit dem Anschluss an Deutschland überall eingeführt Italien stellte 1924 und Schweden 1967 in der

Finanzplan – Wikipedia ~ Unternehmen Kommt ein Schuldner seinen Zahlungsverpflichtungen nicht nach oder ist er nicht in der Lage die fälligen Zahlungspflichten zu erfüllen so liegt nach § 17 in Verbindung mit § 16 Insolvenzordnung der allgemeine Eröffnungsgrund für die Eröffnung des Insolvenzverfahrens vor Zur Vermeidung der Insolvenz sind von den Wirtschaftssubjekten somit die zukünftigen Einzahlungen

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American Hustle 2013 kostenlose filme -1440p-M2V

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Titel	American Hustle 2013
Dauer	138 Augenblick
Erlösung	2013-12-12
Eigenschaft	M4V 720p HDTS
Buchgattung	Drama, Crime
Programmiersprache	English
castname	Piketty S. Huppé, Tati M. Coco, Pyrard P. Sahel

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Good
American Hustle is has a heavy dose of Scorsese circa 1970s with the violence replaced more by black humour.

Christian Bale, Amy Adams, Jennifer Lawrence, Jeremy Renner and Bradley Cooper all deliver excellent performances. Robert De Niro makes a cameo and reminds the audience why he was at one time the best screen actor in the world.

This is a black comedy-drama set in the late 1970's based on the true life Abscam scandal. FBI agents and con artists joined up to frame politicians for taking bribes.

Bale plays a pot bellied hustler with bad hair. Amy Adams is his partner in crime who passes off as an English Aristocrat. Both have struck it rich in a scam where they dupe arrangement fees for loans that never come to fruition.

Cooper is the ambitious FBI agent with a big ego who has the the mafia in his sights and wants to reel in a big catch but he might be out of his depth.

Jeremy Renner is the charismatic Mayor of New Jersey. A man with a big heart who wants to get things done and Bale feels guilty about getting him involved in the sting operation.

Director David O Russell gets great performances from his cast but the film feels flabby which blunts the story and the humour feels stretched at times.

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Ex Machina 2015 kostenlose filme -1080p-FLA

Ex Machina 2015 Mit Untertitel Stream

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Buchtitel	Ex Machina 2015
Zeitdauer	157 kurzer Entwurf
Freigabe	2015-01-21
Eigenschaft	MPEG 1440p DVD
Buchgattung	Drama, Science Fiction
Sprache	English
castname	Suruthi F. Daphnee, Siarah W. Lakin, Steeve A. Dayne

Ex Machina 2015 Ex Machina ganzer film deutsch, Ex Machina online stream - Ganzer film, Ex Machina ganzer film online stream - Deutsch

When you think you have seen everything about AI movies, Ex Machina arrives and gives a very nice perspective on the matter.

The movie goes quick, not many things happen but they are clever, very well thought. The story is more focused in the moral problems of the human main character rather than in the awe of the creation nor the existencial problem of the AI.

The cast is all great, from Vikander to Mizuno, Glee and great Oscar Isaac.

A real must to watch if you are into the topic.
**Enjoyable, satisfying sci-fi**

Kinda smutty, kinda creepy, kinda evil, thoroughly enjoying.

OK, there's nothing mind shattering but still good fun and a nice pay off imho.

For those complaining it was predictable - if you want something you CANNOT ever predict go watch Predestination https://www.themoviedb.org/movie/206487-predestination

Something about it hit the right chords for me, modern, start up, big loud talker, sad lonely guy.... I've seen lots of those geeks turned CEO's and they don't know what they've become.

Actually more to be said about the Nathan character than the rest.

Definitely worth a watch if you like dark humour and sci-fi.

Irrigator – Wikipedia ~ Anwendung für die Vagina Die Spülung der Vagina nach dem Geschlechtsverkehr ist keine wirksame Form der Empfängnisverhütung Darüber hinaus ist die Spülung mit einer Reihe von Gesundheitsproblemen verbunden Gebärmutterhalskrebs Adnexitis Endometritis und erhöhtes Risiko sexuell übertragbarer Infektionen und wird daher nicht die Vaginalduschen verwenden haben

Norisring – Wikipedia ~ Geschichte Am 18 Mai 1947 fand erstmals ein Motorradrennen auf einer Strecke rund um die Zeppelinhaupttribüne statt Die Steintribüne ist Teil des aus der Zeppelinwiese entstandenen Zeppelinfeldes welches zum Reichsparteitagsgelände gehört Bis 1957 standen Motorradrennen im Mittelpunkt der Veranstaltungen was wahrscheinlich auch daran lag dass Nürnberg damals Sitz zahlreicher

Joey Dunlop – Wikipedia ~ Persönlichkeit Weniger bekannt waren Dunlops karitative Tätigkeiten für s sammelte er in seiner Gegend alte Kleider lud damit seinen Renntransporter und fuhr nach Rumänien Bosnien oder AlbanienFür seine gemeinnützigen Tätigkeiten wurde er 1996 mit dem OBE ausgezeichnet Joey Dunlop war ein aktives Mitglied im Bund der Freimaurer

YouTube – Wikipedia ~ Wie auch beim vergleichbaren Portal Google Video wurde in der Anfangszeit die meist geringe Qualität der Filme bemängelt Mittlerweile ist es jedoch möglich auf eine höhere Audio und Bildqualität HQ umzuschalten Videos stehen unter anderem in den Auflösungen 720p und 1080p und seit Juli 2010 auch 4096 × 2304 Pixel zur Verfügung sofern sie in entsprechender Auflösung hochgeladen

Triceratops – Wikipedia ~ Merkmale Triceratops erreichte eine Länge von bis zu 9 Metern sein Gewicht wird auf 6 bis 12 Tonnen geschätzt Damit ist er neben dem 2007 beschriebenen aber nur wenig bekannten Eotriceratops der größte Vertreter der Ceratopsidae Ein vollständiges Skelett wurde bis jetzt nicht gefunden es sind aber über 50 zumindest teilweise erhaltene Schädel und Teile des übrigen Skeletts bekannt

BMW HP2 Enduro – Wikipedia ~ Die HP2 wird von einem luft und ölgekühlten Boxermotor angetrieben Der Viertaktmotor hat zwei Zylinder und je zwei Nockenwellen und vier Ventile pro Zylinder BMW entfernte die zentrale Ausgleichswelle der GS wodurch der Motor um 15 kg leichter wird und schneller hochdreht Die zwei Zylinder haben eine Bohrung von Ø 101 mm Durchmesser die Kolben einen Hub von 73 mm bei einem

Thiamin – Wikipedia ~ Thiamin Vitamin B 1 oder Aneurin ist ein wasserlösliches Vitamin aus dem BKomplex von schwachem aber charakteristischem Geruch und ist insbesondere für die Funktion des Nervensystems unentbehrlich Wird das Vitamin B 1 für ca 14 Tage dem Körper nicht mehr zugeführt sind die Reserven zu 50 aufgebraucht Es wird im Volksmund auch Stimmungsvitamin genannt

Moritz Sachsen – Wikipedia ~ Moritz von Sachsen 21März 1521 in Freiberg † 11 Juli 1553 bei Sievershausen war ein aus dem Hause der albertinischen Wettiner stammender Fürst Er war ab 1541 Herzog des albertinischen Sachsens sowie von 1541 bis 1549 Herzog von Sagan und ab 1547 auch Kurfürst des Heiligen Römischen war einer der wichtigsten Gegenspieler Kaiser Karls V bei der Reformierung des Reiches

ProAna – Wikipedia ~ ProAna von pro für und Anorexia nervosa Magersucht und ProMia Bulimia nervosa EssBrechsucht sind Bewegungen von Mager beziehungsweise EssBrechsüchtigen im Internet Sie entstanden Anfang des 21 Jahrhunderts in den Vereinigten Staaten und breiteten sich von dort auch nach Europa aus Die Anhänger von ProAna fast ausschließlich junge Frauen idealisieren die Magersucht und

Speikobra – Wikipedia ~ Video einer Speikobra Video Spuckverhalten von Speikobras Institut für den Wissenschaftlichen Film IWF 2005 zur Verfügung gestellt von der Technischen Informationsbibliothek TIB doi 103203IWFC12830 Quellen Literatur R McN Alexander 1963 The Evolution of the Rome Second Series 102 S 170–181

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Avatar 2009 kostenlose filme -1080p-M4V

Avatar 2009 Stream Hd

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Name	Avatar 2009
Dauer	172 minuziös
Befreiung,Entbindung	2009-12-10
Eigenschaft	AVCHD 1080p Bluray
Gattung	Action, Adventure, Fantasy, Science Fiction
Sprache	English, Español
castname	Baer Q. Polly, Mubarak Z. Pointer, Wallace D. Khalifa

Avatar 2009 Avatar ganzer film deutsch, Avatar online stream - Ganzer film, Avatar ganzer film online stream - Deutsch

Honda SC 45 – Wikipedia ~ Die Honda SC 45 ist ein Motorradmodell der Kategorie SupersportlerSuperbikes des japanischen Herstellers Modell wurde von 2000 bis 2001 als VTR 1000 SP1

Triumph TR6 – Wikipedia ~ Der Triumph TR6 ist ein von 1968 bis 1976 produzierter Roadster des britischen Autoherstellers seines guten PreisLeistungsVerhältnisses verkaufte sich der TR6 über 94600 Mal Geschichte Der Triumph TR6 wurde 1968 vorgestellt

Aprilia RSV 1000 R – Wikipedia ~ Die Aprilia RSV 1000 R ist ein als Supersportler konzipiertes Motorrad des italienischen Herstellers Aprilia Die RSV 1000 R trat im Jahr 2004 mit umfangreichen Modifikationen am Motor und Aussehen die Nachfolge der RSV Mille an Zusätzlich wurde das Motorrad in der Standardversion als Modell R und als Spitzenmodell Factory mit zahlreichen Teilen aus kohlenstofffaserverstärktem Kunststoff

Scham und Schuldkultur – Wikipedia ~ Die Begriffe Schamkultur und Schuldkultur bezeichnen einander gegenübergestellte Konzepte die Kulturen danach unterscheiden ob diese sich eher äußerer oder innerer Instanzen für den Umgang mit Fehlverhalten zur Konfliktregulierung bedienen Die Gegenüberstellung der Schamkultur die vornehmlich dem Nahen und Fernen Osten zugeschrieben wird und Schuldkultur die Teilen der westlichen

Freikirchen in Österreich – Wikipedia ~ Die Freikirchen in Österreich FKÖ sind seit 2013 eine anerkannte Religionsgemeinschaft in Österreich und bestehen aus fünf freikirchlichen Bü Freikirchen praktizieren die Gläubigentaufe lehnen also die Taufe von Kleinkindern ab Ihnen gehören ungefähr 20000 Menschen in 160 Gemeinden an

1 Brief des Paulus an die Korinther – Wikipedia ~ Als Autoren werden zu Beginn des Briefes Paulus von Tarsus und sein Begleiter Sosthenes angeführt 1 Kor 11 LUTIm weiteren Verlauf redet Paulus die Gemeinde dann aber durchwegs in der IchForm an beginnend mit 1 Kor 14 EU so dass Paulus als der eigentliche Verfasser des Briefes seiner Verfasserschaft gibt es unter Theologen keinen Zweifel

Kami – Wikipedia ~ Allgemein bezieht sich das Wort ‚Kami‘ in erster Linie auf die verschiedenen Kami des Himmels und der Erde in den japanischen Klassikern und die Geister die in ihren Schreinen eingeschreint sind und unnötig zu sagen daß es sich auch auf Menschen bezieht sogar auf Vögel und Tiere Gras und Bäume Meere und Berge – und alles sonst was überragende und außergewöhnliche Macht

Videotechnik – Wikipedia ~ Die Videotechnik lateinisch video ‚ich sehe‘ von videre ‚sehen‘ kurz Video genannt umfasst die elektronischen Verfahren zur Aufnahme Übertragung Bearbeitung und Wiedergabe von bewegten Bildern sowie ggf des Begleittons siehe Audio Dazu gehören ferner die eingesetzten Geräte wie Videokamera Videorekorder und Bildschirm Aber auch die rein digitale Verarbeitung optischer

Citroën C4 – Wikipedia ~ Modellpflege Nachdem seit dem Verkaufsstart im Herbst 2004 weltweit über 900000 Modelle des C4 verkauft worden waren stellte Citroën am 26

Zweiquellentheorie – Wikipedia ~ Die Zweiquellentheorie ist eine literarkritische Hypothese zur Frage der Entstehung der synoptischen kt der Zweiquellentheorie ist die Annahme dass die Evangelisten Matthäus und Lukas zwei Quellen verwendet haben nämlich das Markusevangelium und eine nicht erhaltene erschlossene Quelle die so genannte Logienquelle abgekürzt Q Neben diesen beiden Hauptquellen hätten

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Doctor Strange 2016 kostenlose filme -1440p-FLV

Doctor Strange 2016 Ganzer Film

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Adelstitel	Doctor Strange 2016
Dauer	124 Besprechungsprotokoll
Aussetzung	2016-10-25
Qualität	AVCHD 720p Blu-ray
Buchgattung	Action, Adventure, Fantasy, Science Fiction
Sprachfähigkeit	English
castname	Derya K. Dorian, Mullen J. Murrin, Nolan O. Amélia

Doctor Strange 2016 Doctor Strange ganzer film deutsch, Doctor Strange online stream - Ganzer film, Doctor Strange ganzer film online stream - Deutsch

With each new Marvel film one could expect the studio to push the limits of what a superhero film should consist of. Films such as Captain America: Winter Solider, Guardians of the Galaxy and Ant-Man all consisted of elements that we have never seen within a superhero film before. Now, Marvel Studios attempts to push the envelop once more by leaving the world of high tech armors and super soldiers and entering the mystical world of magic. Leading this charge is Benedict Cumberbatch's Doctor Stephen Strange and hopefully he could answer why there is this strange mystical feeling that we have seen this all before.



> From Marvel comes “Doctor Strange,” the story of world-famous neurosurgeon Dr. Stephen Strange whose life changes forever after a horrific car accident robs him of the use of his hands. When traditional medicine fails him, he is forced to look for healing, and hope, in an unlikely place—a mysterious enclave known as Kamar-Taj. He quickly learns that this is not just a center for healing but also the front line of a battle against unseen dark forces bent on destroying our reality. Before long Strange—armed with newly acquired magical powers—is forced to choose whether to return to his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.

I am going to start off the review by discussing the only strong positive thing that came out of Doctor Strange and its by far the visuals. Beautiful vibrant colors pop at you throughout the film, the costume design is beyond extravagant and the framing is spot on. Doctor Strange and his fellow Sorcerers Supremes powers aren't fully on display until they enter the Mirror Dimension and my god, Tony Stark and Bruce Banner would hate this place. As they are men of science, they would hate that all rules of physics are thrown out the window as our Sorcerers Supremes are capable of breaking buildings apart and reforming to however they please. It is hard to not reference Inception but no one here is dreaming, these visuals are being created by the hand of mystical men and they use it to their power.

In all honestly, pushing the envelope when it comes to visuals was not a difficult task at all. Heck, if they didn't I would have been extremely disappointed as it was an obvious opportunity to take advantage of since we are dealing with magic. I am still extremely disappointed regardless as director Scott Derrickson completely missed another obvious opportunity to push the envelope this time in regards of character development.

Doctor Stephen Strange is very much like a Tony Stark and other superheroes we have seen in films before as he is arrogant, egoistical and full of it. After Strange's accident in which he suffered extreme nerve damage to both hands, he dishes out every penny to his name to repair his hands in hopes he could continue his career as neurosurgeon. Every attempt fails and Strange becomes desperate enough to head to Nepal and finds himself under the guidance of Tilda Swinton's The Ancient One. Learning a whole new concept in the mystic arts forces Strange to reshape his way of thinking but Scott Derrickson does not let this have Strange reshape who he is as a person as well.

Doctor Strange should have found himself being more like a Steve Rogers towards the end of the film as learning the mystic arts and his accident alone should have broken his ego. But instead everything still comes easy to him as he masters magic with ease with very little tension. He has a couple hiccups in the beginning but once The Ancient One puts him under her wing it is smooth sailing and Strange is stealing texts, wielding powerful weapons and defeating Supremes with decades of training with ease.

You cannot say that Strange was destined for the mystic arts and that is why everything came so easy for him. Strange is only learning the mystic arts due to circumstance. If he doesn't get into an accident, which happened to him due to being careless, he doesn't find himself in Nepal. Harry Potter was destined for magic, not Strange. Strange fails to grow as a character because he continues to be proven right and no consequences seem to happen due to his actions.

It is hard to get into the character development of our supporting characters Benedict Wong's Wong and Chiwetel Ejiofor's Mordo as I would utterly spoil the film for you. All I would say though is that they were both mishandled and deserved better developments. It is a shame too because Wong and Ejiofor are superb actors but wasting talent is something Marvel Studios is used to.

When will Marvel Studios get a villain right? With Mads Mikkelsen playing our lead villain, Kaecilius, I thought we might finally get a cinematic Marvel villain that is on par to Killgrave and Kingpin over at Marvel's television department. Ultimately, Kaecilius and Doctor Strange end up fighting due to the most silliest cliche: being at the wrong place at the wrong time. The two individuals meet at the New York Sanctum Sanctorum in which Strange accidentally gets blown in to. Kaecilius is there to kill the protector and Sanctum Sanctorum itself and has no knowledge of who Strange is. In fact, he honestly believes Strange's name is in fact "Mister Doctor." Still learning his craft, Strange is capable of putting up a better fight than the protector who should be a matter. I mean, he is a protector after all. There are no stakes for Strange, strange.

Visually appealing could only get you so far as Doctor Strange fails to focus on the development of their characters that they made so appealing to the eye. Doctor Strange will become a huge asset to the Marvel Cinematic Universe and lets hope we see the rest of Strange's development when he casts his next spell. There is so much untapped potential in Strange's character, we just haven't seen the best of him yet.
All continues to be well in the Marvel Comics Universe as the film adaptation of another mischievous and majestic superhero from Stan Lee’s printed page empire emerges and reigns supreme on the big screen. The latest cure from the Marvel movie bag of explosive tricks is the entry of the dazzling and decorative **Doctor Strange**. Armed with a collection of notable performers, a convincing colorful scope of visual vibrancy and a hearty touch of spiritual and reflective potency the spellbinding **Doctor Strange** is an engaging and oddly sophisticated action-oriented comic book fantasy adding imaginative flavor to the typical escapist gem from the Marvel stable of powered personalities.

Some may argue that **Doctor Strange** is merely another conveyor belt cinematic comics confection that follows a safe and similar makeup that constitutes the obligatory Marvel Comics movie foundation–excitable weirdness, overly splashes of wayward whimsy, copious characterizations attached to their brand of eccentric grandeur and larger-than-life gestures of dark and devious exploits grounded in the basic landscape of good versus evil. Listen, sometimes traveling down the conventional path of constructed and adventurous Marvel-made spectacles is not necessarily a bad thing to consider. After all, the well-known and more popular superhero icons such as _Spider-Man_, _The Incredible Hulk_, _Iron Man_, _The Avengers_, and _The X-Men_ for instance seem to benefit nicely from the anticipated formula that routinely delivers the entertaining goods for its avid core of fanboys. So why not wipe off the seemingly obscure and underrated **Doctor Strange** and provide the same kind of popcorn-pulsating mystique for blockbuster cinema?

**Doctor Strange** started out as a comic book creation in 1963 by Steve Ditko and Stan Lee. Director Scott Derrickson (“Paradise Lost”, “The Exorcism of Emily Rose”, “Sinister”, “Deliver Us From Evil”) does an admirable job in giving shades of bizarre brilliance and magical manipulation to an unconventional Marvel comic book character hardly known for his capacity to translate his mystical mastery to celluloid with compelling curiosity. Derrickson, known primarily for his creative juices in the realm of horror fantasies, confidently serves up the off-kilter and hypnotic appeal of Dr. Stephen Strange as embodied by accomplished English actor Benedict Cumberbatch (“Black Mass”, “The Imitation Game”, “12 Years a Slave”). Interestingly, Derrickson and his handful of screenwriters craft **Doctor Strange** with a mind-blowing measurement of restraint and inquisitiveness. Indeed, **Doctor Strange** echoes its contemporary Marvel-established movies with predictable pluckiness to a certain extent but what is appreciated more is the uniqueness of the film’s ability to emphasize a cerebral superhero that is cut out of a different kind of creative cloth which feels quite distinctive from other brooding Marvel mavericks. Cumberbatch–mastering a rather effective American-accented sorcerer with skill–has injected a degree of inventive nobility and refinement that uplifts this calculating comic-book fantasy.

Cumberbatch’s egotistical Stephen Strange is an incredibly gifted neurosurgeon. His hands are truly miraculous tools of his medical trade and he takes pride in his abilities to treat the critical patients that have tremendous hope courtesy of his therapeutic capabilities. In a nutshell, Strange outshines his other surgical competitors because he is able to give to his patients on the operating table something other doctors cannot instantly muster up. However, cruel fate strikes its ugly head when Strange suffers the usage of his precious hands as a result of a horrific car wreck. The nerves in his hands are destroyed and the non-functioning of his limbs is an awful reminder that his surgical talents are something of the immediate past.

As Strange delves into self-pity and surfacing depression he cannot see just how supportive his fellow physician Christine Palmer (Rachel McAdam) is toward him. Clearly, Christine is in love with the alienating medical moper but Strange simply does not realize the extent of her affections because he is too busy sulking about his misfortune. The only factor that gets a promising rise out of Strange is his recent acknowledgement of the Tibetan community where there is a Kamar-Taj temple rumored to restore ailing body parts destined to make an individual “whole” and “complete” once again. Naturally, Strange wants to bypass the tedious and lengthy therapy sessions for a chance to experience the miracle of his once-amazing operating digits now ravaged by severe nerve damage.

The main source behind the Kamar-Taj temple’s heralded existence is The Ancient One (played by Tilda Swinton). She is instrumental in teaching the fundamentals of a selected Eastern mysticism that teaches the special concentration of healing the wounded and wasting human body when scientific medical practices fail to do so. Soon, Strange’s affiliation with The Ancient One and her mystical minions has more than a transfixing effect on gaining control of his ailing hands as he gains indescribable powers through the inner strength of mind and soul. Now, Dr. Strange can generate his own alternating state of philosophical wizardry that dictates shaping time and space dimensions. Strange’s out-of-body experiences supersede all his previous physical impairments as a force to be reckoned with at large. Whether observing Strange’s Cloak of Levitation methods or witnessing his supernatural prowess on the mean streets against wickedness Doctor Strange spins a wild and weird web of action-packed surrealism that is a welcomed addition to Marvel Comics’ showcasing of super-heroic protective cads feisty in flaws and frivolity.

Cumberbatch is mesmerizing as the self-absorbed genius Strange who perhaps is the best complex Marvel-related protagonist since Robert Downey Jr.’s flippant Tony Stark/Iron Man. The combination of heightened arrogance and high-brow self-doubt and vulnerability tactically works as Cumberbatch sells this portrayal solidly. Although Swinton’s The Ancient One is an intriguing enigma in her own right one must question why the absence of an Asian actor not considered for this particular role may have some scratching their heads in indignation? McAdam’s love interest Christine amounts to only being an afterthought not just in the eyes of her object of affection Strange but to the audience as well.

Thankfully, the other supporting players contribute marvelously to the festivities. Oscar nominee Chiwetel Ejiofor (Cumberbatch’s co-star from the Academy Award-winning “12 Years a Slave”) plays fellow sorcerer Mordo while Benedict Wong assumes the duty as another one of The Ancient One’s followers who guards the school’s sacred scriptures. Mads Mikkelsen is devilishly received as Kaecilius, the former disciple of The Ancient One gone rogue whose agenda in releasing an ominous demon Dormammu to the world will test the will of Doc Strange’s newfound mystical techniques and tactics.

No doubt that **Doctor Strange** is an impeccably surging superhero fable laced with stunning aesthetics and a richly robust score by Michael Giachinno. The high caliber of talent associated with this spry comic book actioner definitely ensures another superhero film franchise-in-the-making as Cumberbatch’s introspective doc administers his **Strange** dosage of Marvel movie-making medicine for the ages.

**Doctor Strange** (2016)

Walt Disney Pictures

2 hrs. 10 mins.

Starring: Benedict Cumberbatch, Tilda Swinton, Chiwetel Ejiofor, Mads Mikkelsen, Rachel McAdam, Benedict Wong, Benjamin Bratt

Directed by: Scott Derrickson

MPAA Rating: PG-13

Genre: Science Fiction & Fantasy/Action & Adventures/Comic Book Fable

Critic’s rating: *** 1/2 (out of 4 stars)

(c) **Frank Ochieng** 2016
Though the core events may not be anything new for the MCU, particularly in so far as its origin stories go (Stephen Strange's A-to-B is virtually identical to Tony Stark's in the first _Iron Man_ film) the psychedelic filter through which we experience these events is entirely fresh!

Not all of the humour lands, and in fact sometimes actually detracts from the story. While the effects are very impressive from a conceptual angle, the graphical end-products do sometimes fall short. Benedict Cumberbatch is a fantastic actor, and does a fine job as Doctor Strange, virtually the whole cast are proven actors, but none are really given the chance to flex those acting muscles to any sort of a newly impressive degree.

Those minor nitpicks aside, _Doctor Strange_ is another very successful entry to the MCU, just further proving that Marvel really know what they're doing in this latest form the film industry has taken.

_Final rating:★★★½ - I strongly recommend you make the time._
I will begin this by saying I was hyped about this film since it was announced because I was always attracted to magic and the supernatural and Doctor Strange is one of my favorite Marvel superheroes.
PLOT:A simple enough story,a brilliant surgeon's journey from the peak of his career to a ruined man,incapacitated due to an accident.Losing all his money in an attempt to heal his hands,he finds out about a mysterious healer in a place called Kamar-Taj.With his last dollars, he gets a one-way ticket to Nepal to find this place and is introduced like so into a whole new world.He has an affinity for what he discovers to be called "The Mystic Arts".He learns and develops quickly but is thrown into a fight with the one who would become his first nemesis, Kaelcilius,too soon.He is almost killed but with the help of his ex-fiancée,Dr. Christine Palmer(who operates on him) he is saved and returns to the Sanctum Sanctorum.He tries to stop Kaelcilius but needs to be rescued again by his teacher,who is killed and leaves him with a valuable lesson.To finally defeated the Zealots he bargains with their boss,catching him into a time loop for all eternity if he does not call his servants off and sets everything right.In the end his ex-friend and mentor,Mordo goes on a quest of finding himself and ends up becoming a sorcerer murderer.
Characters:
1)Dr.Stephen Strange:Benedict portrays him amazingly and is always on point with the character.I liked his journey and how he changed and grew to see that he is just a tiny bit of an infinite multiverse.He was pretty good using magic and I hope he will develop quicker to the Sorcerer Supreme.
2)The Ancient One:My favorite character in the movie.She is a wise teacher,has the best quotes,best battle scenes,best entrances and an amazing battle costume.I loved how even she was aware that for higher goals she needed to cross the line and do things she teaches against and also isn't proud of.
3)Kaelcilius:A tragedy of love brought him to Kamar-Taj where he ascended to the rank of master.Tired of following The Ancient One and still haunted by the death of his loved he seeks to stop time,to give his new teacher,Dormammu our world.Mads was amazing in the role,his whole ideology of time as the enemy of humans and them longing for eternity is interesting and really on point.He briefly achieved his goal,a shame he became a mindless one.
4)Karl Mordo:Another prominent student,who doesn't ask questions,doesn't contradict and is pretty adamant about trust and has lots of issues with bending the rules.He was very disappointing and boring and his only interesting feat was that he became a villain.
5)Wong:Decent but underused character,he will surely be seen a lot in the later movies as Strange's right hand.
Magic:We are introduced to magic as an energy harnessed from various dimensions to create things of need,to conjure spells.An interesting take on such a vague but intriguing subject.
Post-Credit Scenes:
1)Thor scene:takes place in 2017 with Thor asking our Doctor(has gloves,seems more powerful,informed) for help to find his father,trapped on Earth.He accepts with the condition that they would leave our realm as soon as they are reunited.
2)Mordo scene:He went on a quest of getting rid of all the sorcerers of Earth.
Overall:A very decent movie with amazing special effects and super acting.A must see.
**When a science person was the chosen one in the spiritual world!**

You would have not expected it from this director if you had seen his previous films. This was based on the Marvel comics that I haven't touched. So basically I had high expectation to witness another side of Marvel universe with another set of (super)heroes. And surprisingly, it was very entertaining, nothing like other Marvel's heroes/story, except the possession of superpower to fight evil forces.

Firstly, Benedict Cumberbatch in the lead in a Marvel film, I did not think it would work. All I knew is he was a great sidekick, but that image has changed here. He was wonderful, definitely I'll be looking forward to its sequel as they had confirmed at the end. The theme wise, it is similar to most of the superhero tales, but some new concepts were added to it, I mean the superpower and that's what made it so unique.

Just like 'Thor', this film as well had taken the spiritual believes only for the basic platform. The rest of the developments are the clear mix of fantasy (illusion) and science. So it means the film is for theists and atheists. I am one of those who did not like 'Inception', which I think an ordinary action film with multiple layers. But this one was so awesome and it is for the people like me who think 'Inception' failed.

Visually spectacular. I regret missing it out in digital 3D. Its Academy Awards nominee in the category of Best VFX tells the story. There will be a tough contest, even I'm up for 'Jungle Book', but I won't be sad if this wins. The success story of Marvel continues. Not everybody reads comic books, but film goers are the majority. So adaptations like this are people like me. Let them keep coming, I love this format better. This film is not just for the youngsters, but old, families, as well as kids can enjoy, so I hope you won't miss it.

_8/10_
It is actually quite some time since I watched Doctor Strange but somehow the movie must have slipped between the cracks since I appear to have forgotten to review it. So I am about to remedy that now. To put it in simple terms: This is an excellent movie. It is a wonderful display of magical fireworks with a decent enough story to keep it together.

I have to confess that I have not really read many of the comics containing Doctor Strange so it is a bit difficult for me to comment on the aspect of the film versus the comics. From the little that I have read I got the impression that the comic book version of Doctor Strange was a wee bit more dark, serious and mature. This movie starts from the beginning of his career though so I guess there is some justification for the less mature Doctor Strange in the movie.

Doctor Strange is a skilled neurosurgeon but a bit of an asshole. Actually more than “a bit”. He gets involved in a accident, that he pretty much causes himself due to his arrogance. Fast forward to the interesting chapter were we get to see Doctor Strange being, reluctantly, admitted into a scruffy looking monastery on the other side of the planet. That is when the fun starts. Doctor Strange is in for a ride. Slowly Doctor Strange gets knocked into him that magic exists and he is expected to practice it.

The time at the monastery, or perhaps we should call it a school, leads to a few funny episodes and I do like the head monk’s bantering with Strange and the way she does things. Talk about getting thrown into the deep end of the swimmingpool first. Strange’s continued arrogance and immaturity is a bit annoying from time to time though. That has to be said.

What is the use of super heroes if there are no bad guys around. So after Strange having trained for a while, and mostly failed miserably, the bad guys starts to crash the party. So no more pretty living room magic for Strange. It is time to go head to head with some serious competition. Unfortunately, for a good chunk of the first fights Strange mostly falls on his arse. They are still cool and beautiful to watch though.

Slowly Strange starts to get to grip with this whole magic thing and he also starts to shed some of that arrogance of his and take some responsibility. About time since the despicable bad guy are, of course, working towards freeing the real BIG bad guy, father of all evil and mother of everything else bad you can think of. Time for a showdown.

As the fighting escalates so does the user of special effects and personally I though the special effects were both beautiful and spectacular. I really liked them.

I am not sure Cumberbatch would have been my first choice for Doctor Strange though. To me he do not really project the image of the wise and skilled Wizard I expected. He is not bad though. The only other person that stood out for me was the chief monk and The Ancient One which I also quite liked. The rest of the characters, well to me they mostly lived in the shadows of these two, even though they were in general likable and sometimes fun.

There were a few rather hilarious parts where Strange has to reveal the truth about what he stepped in to his former girlfriend. I have a soft spot for the surprise moments in both movies and books.

I rather not get started on time travel since I generally hate it as a story element since it almost always leads to paradoxes or is simply so poorly done that it is blatantly obvious that someone tried to cover up for a lazy and shoddy story. However I guess I have to mention that screwing around with time is an important part of the plot in this movie. Luckily it is done in such a way that it do not, in my opinion, negatively impact the movie. Actually, to my surprise, it is used in a rather cool way.

So, bottom line, a movie I liked quite a lot. 5 out 5 stars kind worth of liking.
I thought marvel was going to far with all the releases.I was right about this one,Dr Strange was like Inception on DMT.Far to much CGI!.And for the story it started off in the right direction then it just ended up going STRANGE.All in all worth a look.But nothing special.
It was only a matter of time before magic and time travel found their way into the MCU, but Doctor Strange is a really well put together origin story on a character that could have been a mess to adapt as a film. Chiwetel Ejiofor, Rachel McAdams, Mads Mikkelsen, along with the Benedicts give the film lots of charisma, but the real star here is the style that Scott Derrickson and his crew were able to create. This is such a cool looking movie, both beautiful to look at and impressively technical.

Like most Marvel movies, Doctor Strange has a mediocre generic villain, but the characters combined with the visuals still make for a uniquely entertaining experience.

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Adelstitel	Inglourious Basterds 2009
Zeitdauer	114 minutiös
Freistellung	2009-08-18
Beschaffenheit	SDDS 1080p HDRip
Gattung	Drama, Action, Thriller, War
Sprache	Deutsch, English, Français, Italiano
castname	Sorel W. Aylan, Ginnie O. Jaycie, Amara L. Thérèse

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