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Anrecht	Star Wars: The Force Awakens 2015
Dauer	134 Sitzungsprotokoll
Abgabe	2015-12-15
Eigenschaft	ASF 1080p DVDScr
Gattung	Action, Adventure, Science Fiction, Fantasy
Sprachfähigkeit	English
castname	Casey U. Maëlle, Katrice E. Sabarin, Guéry B. Cailyn

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So where were you when the Science Fiction cinema sensation ‘Star Wars’ took shape and captured the imagination of the massive global moviegoers’ escapist expectations back in 1977? Regardless of whether you existed thirty-eight years ago or not, the legend of George Lucas’ highly-heralded SF blockbuster that shattered box office records worldwide was automatically engrained in your cinematic psyche. Now nearly four decades later, the motion picture phenomenon that took place in ‘a galaxy a long time ago…far, far away’ has come to expand its entertaining promise and prominence even after numerous servings of movie sequels, television specials and other fanfare attributes that promoted the ‘Star Wars’ agenda throughout the countless years.

The modern-day arrival of yet another ‘Star Wars’ edition in the millennium movie-making age of technical and tactical brilliance is quite fitting and filmmaker J.J. Abrams is the right choice to helm this sacred film franchise and present a whole new litany of continuing adventurous narratives for a new generation of ‘Star Wars’ personalities dipping their tenacious toes into ‘the force of goodness’ battling ‘the dark side’ of authoritative evil.

In Abrams’s reboot ‘Star Wars: The Force Awakens’, the anticipation of enhancing and enlightening the reputation and respect of the Lucas landscape of stormtroopers, light sabres and of course the iconic ‘Star Wars’ returnees from the treasured trio of Harrison Ford (Han Solo)/Carrie Fisher (Leia) and Mark Hamill (Luke Skywalker) registers with a nostalgic blast of appreciation and exhilaration. ‘The Force Awakens’ is a sheer big screen celebration of majestic impishness and intrigue that will fortify the hunger of both casual and rabid ‘Star Wars’ fanatics. Indeed, the hype is warranted and Abrams, the mastermind of the big-budget movie sequelitis, is in top form as he triumphantly presents ‘The Force Awakens’ on a prized silver platter designed for its surging golden moments of charged ebullience.

In looking at the numbers game that is connected to the overall ‘Star Wars’ universe, it is hard to believe that the last prequel was released just a decade ago. Furthermore, it is mind-boggling that the aforementioned ‘Star Wars’ ‘royalty’ in Ford, Fisher and Hamill have shared the same space on film for the first time in over three decades since they last were featured in a ‘Star Wars’ movie together. Nevertheless, no one can deny that ‘The Force Awakens’ does not take the challenge in combining the remembrance of the ‘Star Wars’ installments of yesteryear with the fresh brand of current upstarts willing to engage in another boisterous saga that begins a whole chapter of compelling wonderment. The mix of veterans and novices in ‘The Force Awakens’ is quite interesting but the familiarity of the storytelling heft of good vs. evil is always a solid sell in the realm of the ‘Star Wars’ utopia.

The good news is that ‘The Force Awakens’ not only serves as a bridge that crosses both boundaries past and present in ‘Star Wars’ folklore but it taps into the masterful mystique that Lucas and company worked so diligently to showcase so historically some thirty-eight years ago. Still, some may have lobbied for a stronger storyline in ‘The Force Awakens’ as they may gently dismiss it as being merely thin in its premise while viewing it primarily as a launching pad to develop yet another series of movies to create the ‘Star Wars’ juggernaut for this current-day climax of warped speed wizardry. For those that want a basic outline of ‘The Force Awakens’ pulse it is as such where the beloved yet aging tandem of standouts Han Solo and Chewbacca (yes, good old hulking and walking hairball Chewie is back) is helping out heroic new bloods’ Rey and Finn (played by Daisy Ridley and John Boyega)’ in an effort to groom them for combating the emergence of Kylo Ren (Adam Driver), a villainous representative from the Dark Side of the Force.

Basically, ‘The Force Awakens’ is a grand and stirring homage to the prolific Science Fiction/space fantasy that dared to soar its ambitious wings while taking the old-fashioned concept of the good guys sparring with the bad guys and spinning a whimsical web of dark imperialism while searching for the intrinsic value of brotherhood. One cannot imagine the vitality of ‘Star Wars’ without the inclusion of notable and favorite characterizations that were instrumental in inviting a ravenous response to this filming phenom that has existed in your pop cultural lives for too many years to recount. In addition to joining top dogs in Ford’s Han Solo, Hamill’s Luke Skywalker, Fisher’s General Leia Organa (the former Princess Leia to all you old school ‘Star Wars’ enthusiasts out there) and Peter Mayhew’s Chewbacca, there is the welcomed presence of C3-PO (Anthony Daniels) as well. As for C3-PO’s newest sidekick BB-8, a mechanical rolling ball robot, he is the R2-D2 replacement that should easily win the heart of the kiddies looking for a cute contraption of a companion to treasure on the spot. It should be pointed out that ‘The Force Awakens’ is set 30 years from the last installment and thankfully this update has not lost a magical step since that time.

Anyhow, the First Order’s solar system mechanism needs to be destroyed and must be eradicated by the young talents in spunky and pretty Rey (think the athletic female version of Luke Skywalker) as she teams up with former stormtrooper Finn, a warrior with an uncharacteristic compassion for not killing any designated weak soul as instructed. Naturally, this duo (while under the tutelage of the mature and ragged-looking Han Solo) has their hands full as they clash with the nefarious General Hux (Domhnall Gleeson from ‘Brooklyn’) and his Special Forces protégé Kylo Ren that strikes an immediate comparison to ‘Star Wars’ most notorious bad boy in the deliciously ruthless Darth Vader.

Daisy Ridley's Rey and John Boyega's Finn are having a blast as the touted twosome out to save the day in J.J. Abram's celebrated STAR WARS reboot THE FORCE AWAKENS
Daisy Ridley’s Rey and John Boyega’s Finn are having a blast as the touted twosome out to save the day in J.J. Abram’s celebrated STAR WARS reboot THE FORCE AWAKENS
Thankfully, the majority of the audience may recall similar elements in ‘The Force Awakens’ that was touched upon in ‘Star Wars’ editions such as ‘A New Hope’ and ‘Return Of The Jedi’ where the same structure and theme of the plot points are somewhat revisited. As charming and stimulating as ‘The Force Awakens’ appears in its glorious presentation of being a beautifully shot and visually vibrant popcorn piece, the real find in Abrams’ spectacular space-aged spectacle is Ridley’s heroine Rey, whose emotional and physical commitment to this futuristic fable feels grounded in genuine suspense and praise. Ridley has legitimate game and carries this hot and heavy galactic actioner on her sturdy shoulders with the overwhelming pressure of headlining a cinema giant looking the re-enter the consciousness of rabid ‘Star Wars’ aficionados everywhere. Clearly, we are invested in Ridley’s Rey whose feistiness never undercuts her feminine convictions or courageousness. She runs circles around her male co-stars in fellow ‘Star Wars’ newbies Boyega/Finn and Driver/Kylo Ren and her sense of empowerment is what drives the authentic Force behind Abrams’ inherited ‘Star Wars’ workload.

‘Star Wars: The Force Awakens’ gleefully ignites the flashy flames of giddiness that we all associate with George Lucas’ indomitable big screen creation. The signature flourishes from composure John Williams’ commanding musical score to the stunning and innovative technical tweaking to the mixture of the old and new guard in front of the camera all make for an eventful and exciting return to the universal staging for a movie-making moment that will stand the test of time, the immense pop cultural movement at the movies known as ‘Star Wars’.

Star Wars: The Force Awakens (2015)

Lucasfilms

2 hrs. 15 mins.

Starring: Harrison Ford, Daisy Ridley, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Peter Mayhew, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Kenny Baker, Anthony Daniels and Max von Sydow

Directed and Co-Written by: J.J. Abrams

MPAA Rating: PG-13

Genre: Science Fiction/Action and Adventure/Space Fantasy

Critic’s rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
A very entertaining film filled with immensely fun nostalgic moments and lots of laughs, but this is movie is not perfect, no it is not.

**Spoiler alert!!**

This movie is an exact copy of the 4th one and this frustrates me more than it should. Although new characters and mysteries were introduced, the plot was too similar to the 4th film, but hey, at least they blew up the republic so no more boring bureaucracy!
One more thing that bothered me a lot is Kylo ren, not the character, the actor. I mean they couldn't pick an uglier wimp? I mean no offense Adam Driver, but bad guys need to look badass, and once you took of your helmet, you lost all hope of becoming a badass.

**Summary:**

Definitely a movie worth watching despite minor setbacks.
Slumber Earthquake.

There really is no point trying to do an in depth review of this, it falls in line with a number of series blockbusters that are guaranteed to garner rabid responses, pro and con.

The Force Awakens is a film of many flaws, it has a pungent whiff of safeness about it, the charges of it being a glitzy remake are fair enough, while certain plot strands are frustrating and set to be big talking points for years - and years - to come.

Yet what about its worth to someone who is not obsessed with every finer detail? Someone who just loves the Star Wars universe as a spectacle prism of entertainment, and has just wanted a Star Wars film worthy of being fit to sit alongside that original trilogy?

This made me feel 11 again, took me back to a time in 1977 when I queued for three hours to see such wonders on the big screen. The Force Awakens is, in spite of the recognised flaws, a loving homage to a past love. It's sly with humour and nods to foundations, a blitzkrieg of effects and sound work (my Blu-ray viewing had my sub-woofer doing a jitterbug in the lounge), and it doesn't shy from surprise or the dangling of the carrot.

The makers have big heart and technical invention, the cast vibrant, spunky and strongly committed to the cause - the old hands a very reassuring presence - Yeah, so it's not sci-fi perfection, or any Star Wars geeks' idea of the perfect Star Wars movie (oh J.J. Abrams you devil you!), but it made this middle aged guy shed a tear of happiness. A moment to reaffirm why - as a young lad - I fell in love with film in the first place. 9/10
**The Force Awakens: A New Hope 2.0**

The highly-anticipated follow-up to the Original Trilogy treads through familiar waters, taking the "safe route" approach. Though The Force Awakens has its fair share of phenomenal moments and is definitely an improvement over the Prequel Trilogy, its reliance on using the Original Trilogy (mainly A New Hope) as a template feels nothing more than an imitation of events that occurred prior.

At the end of Return of the Jedi, the Empire suffered a great loss, with the destruction of the Second Death Star and deaths of The Emperor and Darth Vader. It was implied that Luke, the last surviving Jedi, would restart a New Jedi Order (based on Expanded Universe media, which has been declared non-canon by Disney). That is indeed what happens; however, a rogue student of Luke's slaughtered his peers, seduced by the mysterious Supreme Leader Snoke of the First Order and adopts a new identity as Kylo Ren. In summary, the Jedi Order did indeed happen (off-screen), but gets wiped out (off-screen, again), leaving Luke the last surviving Jedi and retreats into exile (off-screen... seeing a pattern?). The Empire is basically resurrected as the First Order, with the Rebel Alliance becoming the Resistance, and once again, they're tasked with destroying a gigantic ball of death. Sounds an awful lot like A New Hope, as a modern-day "soft reboot."

Droid carrying top-secret info? Check.
Villain dressed in black with mask? Check.
Protagonist lives on desert planet? Check.
Discover that they're indeed Force-sensitive? Check.
Han Solo and Chewbacca escorting our heroes to destination? Check.
A cantina featuring a cantina band? Check.
Mentor figure (Obi-Wan in ANH, Han Solo in TFA) killed by villain? Check.
Battle of Death Star (Yes, I'm calling Starkiller Base a Death Star)? Check.
Does big ball of death get destroyed? Check.

Rey is indeed a Force-sensitive individual, but throughout the movie, she is just as good a pilot as Han Solo, is able to use a Jedi mind trick with ease, and easily overcomes the villain (Though it could be argued that due to Kylo Ren's injury from Chewbacca, he was weakened). There better be a damn good explanation as to why Rey is so strong with the Force when The Last Jedi is released. Anakin and Luke required training to become a Jedi, Rey is basically a pro with little to absolutely no training.

Finn... Though I did enjoy the idea of a Stormtrooper defecting from the First Order and eventually helping out the heroes, Finn got annoying quick. From cringe-worthy lines to his constant "Gotta get away from the First Order" state of mind, he should have been a more battle-hardened individual who eventually became disillusioned with the First Order. His more cowardly approach to defecting wasn't very well-executed. But I gotta admit that the relationship between him and Poe Dameron was well-done. Didn't feel forced, just felt natural. Him standing up to Kylo Ren in a duel made me respect his character a lot more. His battle with the other Stormtrooper was just amazing. I'm honestly hoping his character develops more in The Last Jedi.

I liked Poe Dameron from the get-go. From being a smart-ass to Kylo Ren to taking out multiple TIE Fighters, Poe is definitely a welcome new character to the Star Wars universe. Especially BB-8, just an absolute ball of cuteness. BB-8 was one of the two new characters that really stood out to me. Funny how Star Wars manages to make you like the droids so much.

Han Solo and Chewbacca play a substantial role in this film. Han Solo's death was beyond tragic, just seeing an iconic character we saw develop from a selfish, Force-denying individual to taking charge in dire times (putting his life on the line). Once Han Solo yelled out his son's name, I knew his time was up. Leia, now a General, doesn't really get much time to shine. She and Han have been broken up for some time now (I'm guessing since Ben Solo became Kylo Ren), but their bantering still remains. C-3PO (now with a red arm) and R2D2 (in low power mode due to Luke's departure) are basically given minimal roles in favor of BB-8. Luke Skywalker made an appearance in the very final moments of the movie, but does not utter a word. Just seeing his expression when Rey hands him his father's lightsaber was more than enough.

A quick summary of other characters: Captain Phasma, a more useless female version of Boba Fett. Maz Kanata, a color and gender-swapped Yoda who somehow manages to obtain Anakin's/Luke's lightsaber. Supreme Leader Snoke, a mysterious figure leading the new Empire (sorry, First Order) and first appears as a hologram (like the Emperor). General Hux, deliverer of a Hitler-like speech to his space Nazis.

Kylo Ren. In my opinion, Kylo Ren is the best part of the entire movie. Sure he worships his deceased grandfather Anakin Skywalker/Darth Vader and flips out into extreme tantrums, he is more than just an ordinary one-dimensional villain. He worships Darth Vader because he wants to carry on his legacy of killing the Jedi and achieve his intimidating status of being a ruthless individual. He is torn by both sides of the Force. He is indeed strong with the Force, stopping blaster shots in mid-air, freezing people in-place, and can probe the minds of others as a method of torture. His unstable crossguard lightsaber is appropriate for his uncontrollable anger and conflicted state of mind. Once he killed Han Solo, there is no hope for him returning back to the Light. He became a full-on evil person. I'm ready to see the damage he will do in The Last Jedi.

The action/set pieces were very well-done and that opening sequence with the raid on the Jakku village is one of the best and most chilling moments in all of Star Wars. The Battle of Takodana and the resulting battle was phenomenal and seeing Poe take out multiple TIE Fighters make him an exceptionally skilled pilot, even moreso than Luke. The final battle between Rey/Finn and Kylo Ren didn't feel choreographed at all, just felt like a battle between novices, unlike the highly-choreographed kicks and flips and lightsaber-twirling present in the Prequel Trilogy. Rey and Finn leaving Jakku in the "garbage" ship and the whole sequence through the Star Destroyer graveyard was beyond phenomenal.

Though The Force Awakens does indeed take steps forward to move the franchise forward into a new direction, it takes several steps back into familiar territory. And yes, it feels as if I have been ripping on this movie, but in my honest opinion, The Force Awakens is a solid entry to the Star Wars franchise. The action set-pieces were so well-done, the nostalgic factor of the Original Trilogy is prevalent, Kylo Ren proved to be a well-developed villain with room for improvement, and the relationships between the characters feels so organic and fluid-like, as if they're all cohesive with one-another.

My Rating: 7.5/10.0

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How to Train Your Dragon 2 2014 kostenlose filme -720p-M1V

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Sachtitel	How to Train Your Dragon 2 2014
Zeitdauer	143 Augenblick
Verzicht	2014-06-09
Güte	Sonics-DDP 720p BDRip
Gattung	Fantasy, Action, Adventure, Animation, Comedy, Family
Fachsprache	English
castname	Sékou K. Fuller, Madoka P. Perrine, Rylan E. Jinane

How to Train Your Dragon 2 2014 How to Train Your Dragon 2 ganzer film deutsch, How to Train Your Dragon 2 online stream - Ganzer film, How to Train Your Dragon 2 ganzer film online stream - Deutsch

If you loved the first How to Train Your Dragon, you'll absolutely love this movie. If you are a frequent user of Tumblr, you'll want to capture SO many moments in .gif format. If you've never seen the first movie, you'll still love this movie, or at least, like it.

Essentially, this movie is great. It has all that a child could desire in a film (trust me, the kids in the theatre LOVED it - it was super cute) and it also had some absolutely hilarious moments for the adults. The plot is pretty good; even if it is predictable, it's predictable in a way that works. The animation is gorgeous. The voicework is awesome. The way all of the characters have grown over the 5 year gap between the two movies in the series was really well done and evident, not just in appearance, but also in their personalities and interactions with each other.

In any case it was a lot of fun! Go watch it, even if you don't have kids.
Like I said a couple of year ago during 'Cloudy with a Chance of Meatballs 2' review, it's a terrible title for a sequel. The host, Neil Patrick also said the same thing during the 2015 Oscars. But in the digital world, slight change in the title makes random in order. I mean on the computer and web world, it won't show in order. Even sometime it might get lost in a vast number of other titles if they dare to chance the first word in the title for a sequel. Other than that they are not stupid as many people think. That's why they highlighted 'Dragon' boldly than the rest of the words.

This part two was not much different to its first. The story continues five years after Hiccup recovers from his injury. He and his pet, Toothless discovers a new land during the survey for the map. So their's adventure begins, but end in a trouble and forces all his people from the town to involve and fight against the rising evil force that tries to conquer them all.

Like I always say, those days are gone, now animated movies are for all ages. This was a very nicely and carefully written screenplay, did not fail to deliver. Very close to the impact the first movie made, but due to simplicity it stayed a couple of steps behind. Developed well with a bit of suspense, thrill and entertainment. Nothing more we could have asked, a perfect follow-up and hoping to explore beyond lot more in the upcoming movies in this series. Four years gap between the movies is a nice idea and fine breathing space for this franchise fan. A movie must be seen by animation fans, especially if you have already seen the first then don't miss it.

8/10
The first one was good and the second is not any worse.

This series is standing out of the pack for its complex plot involving several topics, not just the typical ones in an animated movie. Arguably, they have been also treated in former movies; two main characters which are crippled (Finding Nemo ...), greater involvement of strong female roles (although, still, not as main characters and utterly in need of help from the male roles), ecology, etc.

The points I dislike the most is the speech of homeland being the good "peacekeeper" nation forced to use violence to keep it (peace). Quite hypocritical but, clearly, addressed to the US audience.

The repetitive line of story about the (nerd) hero who is the only one to save the world is quite tiresome too.

Finally, how lightly some other traumatic causing topics are treated: finding that a parent abandoned their child, death, etc ...

In any case, this is a good movie, funny and with an interesting story. Worth watching for a franchise that, I think, doesn't have all the attention it should have.

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Birdman 2014 kostenlose filme -1440p-DAT

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Titel	Birdman 2014
Dauer	143 Besprechungsprotokoll
Freistellung	2014-08-27
Güte	MPEG-1 1080p BRRip
Genre	Drama, Comedy
Jargon	English
castname	Valerie Y. Hidaya, Ayem E. Hershel, Shawnee R. Lalya

Birdman 2014 Birdman ganzer film deutsch, Birdman online stream - Ganzer film, Birdman ganzer film online stream - Deutsch

**mounting spontaneity** or (dumb luck)

It's not fair.

I love Raymond Carver, long takes, theatre, Batman, NYC rooftops and alleyways, the blending layers of self-referential fiction, delirious fantasy, the creative process, the insane logistics of run-on cinematography, the seamless assembly of shifting environments, stepping into unresolved mental spaces, demonstrations of solitary madness and the unbearable anticipation of being, being judged, being booed, un-being, unhinging, delusional uppers, existential downers, magic surrealism, telekinetic fury, dreams of flying, throwing tantrums, the fragile yet invincible ego, immaculately constructed chaos, the recurring climax of ending it all -- where the blazes is that blasted improvisational drumming coming from? -- oh there, and there, so absurd, don't stop, the shot must go on, the show must go on, "You are not important, get used to it," she said, but so much angst overwhelms him, tethered to a feathered fantasy, a nagging reminder of what once was, or could have been, refusing to believe it's too late to soar to former heights, yet grounded by time and gravity, trapped in a narrative, caged in a fabrication, "You're an actress, honey," says another, "you have no self-respect" and all actors are game, Keaton and Stone zoned-in, knowing the pain, pretending to not care or pretending to matter, failing to be authentic, acting over acting, meta-acting meta-fiction meta-filmed with a meta-critical message: yeah, we're all messed-up and meta-fµcked, but after shooting your nose to spite the ruse, by unmasking the unexpected virtue of ignorance, peeling off layers of pretense and self-importance, you just might find a momentary strain of pure, uncomplicated innocence.

It's not fair. I love this sh*t!
First of all, let me say, I like most of movies where Naomi Watts plays & thought this one would be good too, after all it has high ratings, but don't be fooled by famous actors which play in this movie. Don't be fooled & think that movie is good. No, not at all. This movie is complete junk. It supposed to be a comedy, but I didn't even find it funny. It's just like a big mess. I started watching it & I couldn't last longer than 30 minutes, it was so boring & uninteresting that I fell asleep. I can't believe people rate this movie so high & even worse - this movie won an Oscar. This again proves, that ratings & Oscar ain't always accurate.
This film tells the story of an over-the-hill actor called Riggan Thomson (brilliantly portrayed by Michael Keaton) who was once the star of a superhero blockbuster franchise known as 'Birdman'. We are shown his journey into making a Broadway production starting with the initial rehearsals and read-throughs. What follows is a brilliant exploration of celebrity culture in an intriguing and satirical way.

'Birdman' could essentially be looked at as one continuous long shot. The camera constantly weaves around the actors and action and so the audience are completely immersed into the perspectives of the various characters (mostly Riggan's). The opening shot plays like a scene in Paul Thomas Anderson's 'Boogie Nights' as it delightfully establishes the narrative in a fluid and polished style whilst introducing the cast and their entertaining interchanges during a rehearsal with hilarious consequences.

The editing throughout the picture is almost flawless when moving from scene to scene and has a dizzying effect much like Gasper Noé's 'Irreversible'. 'Birdman' also boasts some marvellous special effects throughout such as when Riggan (Keaton) is alone and being taunted by his egotistical alter-ego. The film shows up typical blockbuster action movies by asking the audience what they want and giving it to them in a manner which embraces the excitement and epic-ness of the genre whilst also poking fun of the conventions.

The music that accompanies the film is very scarce in a lot of places adding emphasis to the dialogue and situations arising but, in some cases, an erratic and improvisational drum riff can be heard (occasionally accompanied with the drummer on the set) which completely adds to the eccentricity and spontaneity of the movie.

The screenplay is very intricately written and contains many profound philosophical speeches about art, celebrity and criticism. There are monologues and debates by characters in which they discuss the core beliefs of the film such as Riggan's speech during his performance of his Raymond Carver play "What We Talk About When We Talk About Love".

The whole narrative of the film is very intriguing and interesting. There is a perfect blend of comedy and poignancy. There are a lot of twists and ambiguity throughout the film which could be analysed and interpreted for a long time.

Michael Keaton is fantastic as the protagonist and gives a performance that would have given his career a huge revival (his squeal is my highlight of the film). The parallels with the character's career and that of Keaton's could not have been a mistake and gives the performance that much more edge. Edward Norton plays the method actor from hell (Mike Shiner). He is annoying, snobbish and smug and played brilliantly by Norton who excels in the vileness and pomposity of the character.

The film is very much about actors. The self obsessive nature of acting is definitely highlighted by the two central performances but there is also a cast that really help to deliver the film's meaning such as Emma Stone, Zach Galifianakis, Andrea Riseborough and Naomi Watts.

Overall, 'Birdman' is a fantastic film. It is filled with pathos and profound imagery whilst keeping the viewer thoroughly entertained throughout.

★★★★½

Drehfunkfeuer – Wikipedia ~ Das VORSystem bestehend aus Bodensender und Bordempfänger liefert eine Information nämlich das Azimut des Flugzeugs vom VORSender d h den Winkel zwischen dem durch die Bodenstation verlaufenden magnetischen Meridian und der Verbindungslinie BodenstationFlugzeug VORSender sind i d R so ausgerichtet dass das 360°Radial in die magnetische Nordrichtung weist missweisend

Österreichisches Bundesmeldenetz – Wikipedia ~ Umrechnung von BMN nach GK Meridian Rechtswertumrechnung Hochwertumrechnung M28 BMNKoordinate − 150000 BMNKoordinate 5000000 M31 BMNKoordinate − 450000

Cement Roadstone Holding – Wikipedia ~ Cement Roadstone Holding plc CRH ist ein weltweit operierender irischer Baustoffhersteller mit Hauptsitz in Unternehmen entstand 1970 durch den Zusammenschluss der irischen Unternehmen Cement Holding und Roadstone Ltd Das Unternehmen ist Mitglied im ISEQ Overall Index an der Irish Stock wird an den Börsen in London und New York City gehandelt und gehört zu den 50

Seat Altea XL – Wikipedia ~ Der Kompaktvan Seat Altea XL Typ 5P ist eine um 187 Zentimeter verlängerte Version des Seat Altea die im September 2006 auf der Mondial de lAutomobile vorgestellt wurde 2009 wurde der Altea XL analog zum Altea ü neue Modell lässt sich an leicht geänderten Karosserieanbauteilen und einem aufgefrischten Interieur erkennen So wurde das Armaturenbrett umgestaltet

Achondroplasie – Wikipedia ~ Die Achondroplasie auch Chondrodysplasie oder Chondrodystrophia fetalis genannt ist eine bei vielen Säugetieren – so auch beim Menschen – häufige Mutation welche das Wachstum des Skelettsystems betrifft Sie wird in geringerem Teil autosomaldominant vererbt ca 20 entsteht zu weit größerem Teil aber durch Lebenserwartung und die Intelligenz sind nicht

Liste der Bahnhöfe in den Niederlanden – Wikipedia ~ In den Niederlanden gibt es derzeit Stand 8 Januar 2019 400 Bahnhöfe Liste der Bahnhöfe teilweise mit den offiziellen Abkürzungen

Seat Altea – Wikipedia ~ Entwicklung und Vorstellung Der Seat Altea wurde der Öffentlichkeit erstmals 2003 als Prototyp vorgestellt Auf der European Motorshow 2003 in Brüssel erhielt der damalige SEATDesignchef Walter de’Silva den Designpreis des Verbandes der europäischen Designer in der Kategorie KonzeptFahrzeuge für den AlteaPrototyp Mit dem Altea wurden die künftigen DesignCharakteristika der Seat

GaußKrügerKoordinatensystem – Wikipedia ~ Das Gitternetz der geographischen Koordinaten wird in 3° breite Meridianstreifen aufgeteilt eine Einteilung in 6° wird auch angewandt Jeder Meridianstreifen geht vom Nord bis zum Südpol parallel zu seinem so genannten Mittelmeridiane benachbarter Meridianstreifen liegen demnach 3° bzw 6° auseinander

KfzKennzeichen Polen – Wikipedia ~ Die zuletzt gültigen polnischen KfzKennzeichen weisen schwarze Schrift und schwarzen Rand auf weißem Grund auf Der erste Buchstabe steht für die Woiwodschaft hier E für die Woiwodschaft Łódź die nächsten ein oder zwei Buchstaben stehen für die Stadt oder den Landkreis Powiat hier RA für Radomsko der folgen ein rechteckiger Aufkleber und bei einzeiligen

VW Touran I – Wikipedia ~ Der Touran wurde in den Ausstattungsvarianten Conceptline Trendline und Highline angeboten Zur serienmäßigen Sicherheitsausstattung gehören Fahrer und Beifahrerairbags Seitenairbags vorn und Kopfairbags für die erste und zweite Sitzreihe sowie das Elektronische Stabilisierungsprogramm ESP

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Pitch Perfect 2012 kostenlose filme -1440p-ASF

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Name	Pitch Perfect 2012
Dauer	174 Augenblick
Entladung	2012-09-28
Güte	Sonics-DDP 1080p DVDScr
Buchgattung	Comedy, Music, Romance
Sprache	English
castname	Edie Y. Rubin, Guernon F. Dacre, Madden P. Dina

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A modern cult movie (in a good way, of course). It started a movement of sorts with people posting youtube videos with them singing and rearranging cups. Very powerful!
Not sure why this movie has become so famous.

It is not a really good comedy with the exception of the jokes by the competition commentators and the story as with any movie of this kind is weak and expectable.

Nothing very remarkable here but the fact that there are so many fans of it.
A quintessential crowd-pleaser. Exuberant musical numbers and great chemistry between the cast makes this a 'chick flick' everyone can enjoy.

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12 Years a Slave 2013 kostenlose filme -1080p-AAF

12 Years a Slave 2013 Ganzer Film Deutsch

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Sachtitel	12 Years a Slave 2013
Geltungsdauer	172 Augenblick
Erlösung	2013-10-18
Qualität	FLV 1440p WEB-DL
Gattung	Drama, History
Fachsprache	English
castname	Cobb J. Baylea, Auberta O. Edwige, Maleah A. Kühner

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Sometimes, I just have to stop my brain in the middle of a film and just admire its exceptional craftsmanship. I found myself doing that time and time again during this film. Perhaps I was more open to admiring the shot compositions and acting choices because, as I cynically told myself before the film, it's not like I needed much convincing that slavery was bad. Or perhaps it was because I was shielding myself from the honest brutalities the film convincingly portrayed. Nonetheless, I was reminded of the film "Children of Men," because when I watched that, I was struck by how easily I could imagine a less engaging, more dumbed-down version of the same film. I haven't seen enough films about slavery to know this for certain, but I suspect that because many of this film's principals are British, telling a story about a free man who was forced into slavery, as opposed to one born into it, they were able to be gain some valuable distance from the subject and craft something that's both beautiful and feels true to life. And even though I thought I could not have been made to feel worse than I already did about slavery, the post-scripts on the lack of justice Solomon received for his kidnapping and the unknown causes of his death, helped keep the film from lapsing into a kind of "triumph of the spirit" happy ending others might have imposed.
This movie is very, very well done. Well, edited and with the proper long shots at the proper moments bringing you to the life of Solomon without remedy.

All the cast performs exceptionally well and Ejiofor is to be remembered for this film.

A must to be seen.
Not in a long time have I seen a movie that brings out real emotions from my cold hearted soul. This movie brought them out in floods of tears.

the acting was superb, especially from the lead Chiwetel Ejiofor, he acted from his little toe right up to his eyes.

The style was also filmed beautifully with some (extremely) painful long shots which pulled you into Solomons nightmare.

Im not sure if its a film I could watch again, purely for the emotion but I would recommend this film to everyone.
**Dreaded at the thought that human kind ACTUALLY had this kind of livelihood at some point of time..**

Could not gather my thoughts to write this review at the end of the movie.Feeling really bogged down by some heaviness on my chest. Thinking about the times in history when we actually used to do these atrocities on other human beings makes me cringe.To imagine waking up one day and find me in chains just because I'm a colored man and living my life like an unwanted child of god makes me question humanity altogether. Just sitting through a little over than 2 hours and watching this movie made my heart bleed, I can't even begin to think of the people who lived their entire lives as SLAVES... 12 years a slave heart breakingly makes you feel the pain and suffering of almost the entire human kind at one point of time or other. Direction by Steve McQueen is brilliant.Chiwetel Ejiofor plays a helpless slave in Solomon Northup to the hilt and also the small but impactive role played by Brad Pitt as a man with conscience is superb.Lupita Nyong'o's Patsey too was depicted heart warmingly. You can't help but question yourself that how could MAN stoop such low and do these cruel acts and that too over such a prolonged period of time without even a single ounce of doubt in his mind for what he would have to pay for his actions.. All in all a GEM of a movie showing one of the lowest point in human history !

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American Hustle 2013 kostenlose filme -1440p-MPEG-2

American Hustle 2013 Ganzer Film Deutsch

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Bezeichnung	American Hustle 2013
Geltungsdauer	154 Memorandum
Ausgabe	2013-12-12
Güte	WMV 1080p DVD
Buchgattung	Drama, Crime
Sprache	English
castname	Henna U. Braith, Bong G. Duriès, Corneau Q. Foessel

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Good
American Hustle is has a heavy dose of Scorsese circa 1970s with the violence replaced more by black humour.

Christian Bale, Amy Adams, Jennifer Lawrence, Jeremy Renner and Bradley Cooper all deliver excellent performances. Robert De Niro makes a cameo and reminds the audience why he was at one time the best screen actor in the world.

This is a black comedy-drama set in the late 1970's based on the true life Abscam scandal. FBI agents and con artists joined up to frame politicians for taking bribes.

Bale plays a pot bellied hustler with bad hair. Amy Adams is his partner in crime who passes off as an English Aristocrat. Both have struck it rich in a scam where they dupe arrangement fees for loans that never come to fruition.

Cooper is the ambitious FBI agent with a big ego who has the the mafia in his sights and wants to reel in a big catch but he might be out of his depth.

Jeremy Renner is the charismatic Mayor of New Jersey. A man with a big heart who wants to get things done and Bale feels guilty about getting him involved in the sting operation.

Director David O Russell gets great performances from his cast but the film feels flabby which blunts the story and the humour feels stretched at times.

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The Hunger Games 2012 kostenlose filme -720p-DAT

The Hunger Games 2012 Ganzer Film Deutsch

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Buchtitel	The Hunger Games 2012
Geltungsdauer	195 kurzer Entwurf
Freigabe	2012-03-12
Güte	MPEG-2 1440p DVDrip
Genre	Science Fiction, Adventure, Fantasy
Sprache	English
castname	Gavyn E. Farnaz, Hedi A. Fable, Arie U. Kayahan

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Very well made movie with quality writing, acting and cinematography.

**Pros**: strong performance from the star. Technically excellent.

**Cons**: Seems to me that the ending was premature but perhaps intentionally so - for a sequel? Character development is largely weak but there are a lot of characters and already a long movie so I suspect a lot was left on the cutting room floor.

Despite some weakness, still a compelling movie worth a watch if not up to all of the hype.
Stories about revolution can be quite good. But stories about why a revolution is needed are invariably great. The Hunger Games is such a story.

The movie (for the most part), closely follows the book, and does a good job of it. It also sets up the next book/movie beautifully, even better than the book itself does.

The premise, of course, is borrowed from Ancient Rome, when gladiators and/or criminals an/or people whom the emperor wanted killed were forced to fight each other to the death in a public arena for the entertainment of the general populace. And just as decadent as Rome was back then (only rescued from itself by the rise in prominence of The Christian sect), so the "Capitol" is now portrayed in the film/book---and the film portrayed the affluent decadence of the Capitol quite well.

In this particular instance the "tributes" were chosen at random from among children aged 12 through 18, and it was meant as retribution and reminder of the "crimes" the 12 colonies committed by reveling against the authority and rule of the Capitol 74 years ago. At the public "reaping", when a boy and a girl were chosen to become the sacrificial tributes at teach of the 12 colonies, the Decree of Punishment was read and the colonies were reminded that this punishment was established to demonstrate how weak the colonies were in comparison with the Capitol, in that the Capitol could take the most prized possessions of the colonies (namely, their children), and the colonists themselves could do nothing about it. And to really rub it in, the colonists themselves were forced to watch the tournament proceedings.

I have to say, the punishment is deviously clever from the point of view of the Capitol. It certainly keeps the Colonies divided in spirit (they were already segregated physically, with no communication between them allowed by the Capitol), for in cheering for their own children they are therefore cheering for the defeat---and therefore death---of the other colonies' children. It also keeps colonists divided within each colony, for there can only be one champion, which means that in wishing their children not to be chosen at the reaping, each colonist is thereby wishing that someone else's children be chosen. Furthermore, in celebrating that their children were not chosen, they are also, incidentally, celebrating that some other person's children will likely die. And for the families of the chosen children, in supporting their own family member during the tournament, they are incidentally supporting the death of the other family's child. And it keeps the population of the colonies low, which the Capitol would want to promote (less chance for another insurrection if the population is low): for the youngest are taken, before they are married, and those who survive the yearly reapings will think twice about having children of their own and having them go through this traumatic process year after year during their most vulnerable adolescent years. And furthermore, the Capitol encourages the colonists' tacit endorsement by rewarding the winner's Colony with extra food that year (hence "The 'Hunger' Games"). But it is all manipulation, in the end.

In fact, by the end of the Games, right before being killed himself, one of the most avid killers among the children realizes just how much it all is the Capitol's manipulation, how pointless it all is to those who participate, and how, in the end, he didn't really have a chance---that he was destined to die from the beginning---and that killing or being killed is all that not only the Capitol, but also his Colony, want from him. An eye-opening realization for someone who up to this point had been quite eager to kill his fellow children.

Given the vicious circumstances which were thrust upon these children---none of which is their fault---the question naturally arises: how should a child bound under the moral law behave? Should he try to win, by killing the other children? Should they try to win at all? Should they let themselves be killed, in order that another might live?

Of course, the obvious moral choice would be for none of the children to participate in this horrendous form of reality television: if they do not fight each other the show is not interesting, and eventually it is discontinued. The children would likely still be executed, along with many of their own family members in reprisal from the Capitol. If one thinks in terms of consequences only (utilitarianism), then this would be the wrong approach: after all, they would say "it is better that one person survives than that they---and all their families---die". But such thinking is quite repugnant, however logical it is. Consequentialism is missing a big piece of the moral landscape, namely that we ought not to become evil ourselves in our fight against evil. Yes, the consequences of "civil disobedience" as could morally be practiced in this scenario are more dire in terms of the quantity of damage made. But they are much more preferable in terms of the quality of damage made. By fully participating in the carnage (and inflicting some yourself) you become complicit in the very evil which oppresses you. Similarly, your family, and even your colonies (and all colonies, for that matter) become part of the system, and in some tacit way endorse it---for they all want their children to live, and tacitly support the other colonists' children's death. Furthermore, what kind of person does one become after killing 23 children by brutal means at a very young age (when the impressions of life still shape us in a powerful manner)? What kind of society does one help create when one has inwardly become a psychotic monster? What kind of society abides criminal monsters in its midst?

But, some will claim, it is unrealistic to expect each and every child to be morally minded, especially when some children (from two different colonies which are highly favored by the Capitol) actually volunteered for the "honor" to represent their colonies at the tournament. What is the correct moral response when civil disobedience is not an option (no opportunity) and some, if not most of the other children are out to kill you, whether by pleasure or need to survive?

It seems to me there are two possible moral responses. one of them is the route of self-defense, whereby one does not intentionally kill or go out of one's way to engage the enemy, but tries to flee as a first alternative, BUT where one DOES defend oneself against the attacks of others, and inflicts only as much harm as is necessary to stop the aggressor, AND only if absolutely necessary one uses lethal force. In the end, very likely, the Capitol would force matters to a resolution, either by forcing "aggressors" and "defensors" into a particular area (very good television), or by artificially creating natural/artificial disasters which killed whomever they disliked most. But, again, this would be the Capitol's doing: an evil force acting evilly which one cannot stop. One would have been preserved from sinking to doing/becoming evil.

The other moral route, the more perfect route, would be the route of Jesus: to willfully become the sacrificial lamb for the sake of spiritual (and therefore) moral change. The martyrs of the Church have for ages followed this route, to the spiritual benefit of the whole Church, and the cultural benefit of all humanity. The spiritual benefit is quite and readily seen through the Communion of Saints, whereby these martyr's love renews and creates the Church anew, greatly adding to the spiritual gifts of which the rest of us partake---gifts which slowly transform us for the better, over years and generations. And it is this transformation which over the centuries affects culture. Gradually better people live their lives out in gradually better communities. And Love wins out at the end of time. After all, very few societies nowadays would consider it acceptable to inflict the tortures which were inflicted to prisoners (especially Christians) in the ancient days of Rome: we are all repulsed by the Capitol's Decree of Punishment. If we only partook more of those graces which Christ offers through His Church!

One particular odd feature of the book (and the film) is the avoidance of any mention of God or religion whatsoever. Not even empty phrases deriving from religion appear ("My Gosh", "God willing", Christmas, Thanksgiving, etc.). Why is that, especially when the subject matter so clearly lends itself to a religious treatment? Why is that, when the least historically educated among us would have heard the stories of the Christians ushered into the Colosseum to be executed/sacrificed? The closest religious reference is when Katniss Everdeen improvises a type of tribute around a fallen friend and ally in the game by creating a bed of flowers for her: the very earliest expressions of the religious impulse, as some Anthropologists would tell us. Why has the author scrubbed her book from religion at all? Is she so antagonistic to religion that she will not abide it in her book, even when it seems quite apt? If so, the bed of flowers tell us that the most primitive of religious impulses remain with her still. Or is the author trying to appeal to everyone, thus removing religion from the surface of her story so as to not alienate people of different religion than the one she chose to portray, while at the same time infusing her work with religious themes at the substrate level, where they are more powerful? Or is her point that the despotic Capitol destroyed all hope quite successfully, even the Hope of God? Given the richness of the religious themes I see in this book/movie below the surface, I am very much inclined to believe that the last of these options is the correct one. But I may be seeing what I want to see, simply because I like the story.

Now, turning to the more artistic features of the movie: The most impressive performance was done by the actor who played President Snow. His facial expressions were insuperable and spoke tons in the few lines he delivered throughout the film. His performance was astoundingly good, his face delivering contempt, skepticism, and hatred (sometimes all at once) along with the "weight of office" while speaking seemingly innocuous lines, or even while congratulating the winners (there were two winners from District 12, thanks to the cleverness of Katniss Everdeen in turning the television show against its organizers!) of the 74th Hunger Games. He single-handedly set up the next movie installment.

But the casting of Peeta is all wrong. From the book it is clear that Peeta is not handsome at all, that Peeta is the boring guy who never had a chance when it came to women, and who doesn't have a chance when it comes to Katniss Everdeen who clearly has feelings for another guy. Which makes it all the more poignant that he is desperately in love with her, and is willing to give up his life for her. In the movie he is played by a movie-star-handsome actor who clearly would have trouble keeping women away from him, and who would therefore be quite self-centered and clueless, rather than the thoughtful man he is in the book.
I had not really bothered to put this movie on my to-watch shelf since I felt it was not really my cup of tea but when my wife and oldest son wondered why we did not have it in our collection I thought, well, okay let us get it then. Actually I got the set with the two movies that have been released and yesterday we watched the first one.

Well, as far as I am concerned, it is not a turkey, it is rather “okayish” but I certainly do not understand all the hype. It is really far from a great movie. But then, I am probably somewhat biased since, as I wrote above, I did not really think this movie was my cup of tea. Anyway, it starts of with a lot of scenes in “wobblycam”. I have not met any person outside of the movie industry and self-proclaimed so-called “critics” that actually likes it when the camera wobbles around, scenes are blurred and you generally get nauseous by watching. Bad start!

The backbone of the story is ludicrous to say the least. Part of the world leaves in luxury when the rest is starving. Been there, seen that. Every year a seemingly random selection of kids, not adults but kids, are selected to fight to the death under some silly pretext of “preserving the peace”. As I said, ludicrous. The entire air of ludicrousness is enforced by the wacky costumes, makeup and hair styles of the people in the capitol. As I science fiction and fantasy fan I could easily live with this but, sadly, the movie made me only mildly interested in following the characters to the end.

The acting in general is adequate but nothing special. Having said that it must be difficult to actually make anything out of some of the silly roles in this movie. I for sure would laugh my head off every time I entered a scene with all of those ludicrous (yes I know I have used that word a lot in this review, live with it) costumes. The main characters act like the children, with absolutely no clue what they are doing, that they indeed are. This is of course entirely in line with the story but still, the main character is spending a lot of the time running away and sitting around looking startled, sorry or depressed when the games start. I have to say that, at times, the movie felt a bit boring. I have liked several movies that are very slow but here it simply did not sit right.

The games themselves with those dickheads in control and the changing rules, well they were mostly frustrating.

This movie, to me, is a movie for a young adult audience. I have not read the books and I can see how this kind of story would work for a YA book. Personally I was not unhappy having seen the movie and now, having watched the first of the movies I will watch the rest as well but for me it was okay as a two-hour diversion, nothing more.
I don't really know what's so special about this movie. I found "The Running Man" or "Total Recall" much more deep thought than this. Is it maybe that the main character is a female?

Still, it is entertaining and, in this regard, it does its job.
The Hunger Games is a new concept in a long line of post-apocalyptic future fantasies. Where other stories of the same genre often deal with technology and artificial intelligence as the main threat to human existence, Hunger Games actually takes us back to Roman times, with a revitalised version of "Panem et Circenses" or "Bread and Circuses". Simply put; human devastation as mass entertainment. Welcome to Panem: formally known as The United States of America, where every year, a young man and woman from each of the twelve districts are selected to fight each other to the death, with only one possible survivor. These Games are broadcasted on national television as a means to keep the people happy and submissive.

Considering the fact that this film is based on a teen book series (written by Suzanne Collins), I can't help but feel this concept is pretty far out there, and actually it's kind of sick. It's not a pretty idea to think that one day we might live in a world where watching young people, ranging from 12 to 18 years old, brutally murder each other is considered to be a form of mass entertainment. Thankfully, this is 'just' a story, and I must say, a very entertaining one at that (no pun intended).

The story revolves around the two youngsters from District 12, where the people are dirt poor and life is utterly desolate. 16-year-old Katniss Everdeen volunteers as 'tribute' to fight in the Hunger Games, after her little sister is initially selected. Her male counterpart is Peeta Mellark, and together they set off to train for and participate in the Games.

The character of Katniss is played by Jennifer Lawrence, and she is terrific. Actually, she is my biggest recommendation for watching this film. Before this, I had only seen her in X-Men: First Class and thought she was pretty good, but after seeing The Hunger Games, it's not hard to see why this 21-year-old already has her first Oscar nomination under her belt. She has a very natural quality about her, which makes it very easy to make you empathise with her character. She's not a superficial, happy-go-lucky kind of girl; she's actually very sullen, not even particularly likable. And yet you just love her from the get go. I guess it's charisma, and Jennifer Lawrence definitely has it.

Actually, this film is full of great actors. One of the greatest is definitely Stanley Tucci, who plays his most flamboyant role yet. His character (Caesar Flickerman, the TV-host who emcees the Games) is ridiculously over-the-top, but brilliantly amusing. With blue hair, prosthetic teeth and a big horse's smile which he flashes incessantly, he looks like a PG-13 version of the Joker. And if you're at all familiar with Tucci's work and talent, you know just what I mean when I say he's making this character appear to be oh-so nice, yet subtly sadistic at the same time. He's just great, period. Woody Harrelson also has a pretty interesting role as Haymitch Abernathy, a once-winner of the Hunger Games, who now mentors Katniss and Peeta in their training. He's scruffy and gnarly, basically just typically another weird Woody character, which is always worth the watch. Wes Bentley plays Seneca Crane, a character most notable for his unusual facial hair: he sports a beard Lucifer himself would be proud of. However, the biggest surprise to me was Elizabeth Banks, whom I am well familiar with, but never really cared for because I only know her from superficial, comedic roles. I was pleasantly surprised to see that she can also play challenging roles like this one. She plays Effie Trinket, a bizarre, neo-Renaissance type from the richest District, big wig, crazy make-up and all. She's pretty much the female version of Tucci's character and she was a delight to watch, beautifully grotesque in all her decadence.

Unfortunately, it can't all be great. I had three major problems with this film. One: if you haven't read the book, there's a lot that doesn't make sense. They really should have spent a little more time explaining everything, because more than once it simply wasn't clear to me what was going on and why. And that's a risk no filmmaker should take. Two: Peeta's character. It could be just me of course, but he annoyed the crap out of me. He just comes across as such a sissy that it's frustrating to watch. Katniss burns her leg and deals with it. Peeta cuts his leg and stays lying in a cave because he "can't walk". And then he lets her take care of him, at the risk of her own life. Give me a break. Three: totally disappointing climax. I was waiting for fireworks, for Katniss having to make brutal decisions, but this never happened. It just kind of faded out.

And this is how you can clearly tell this story has a mainly teenage demographic, and they obviously wanted to keep it PG-13. Because despite the sometimes pretty brutal violence, nasty use of weaponry and tomato ketchup-a-plenty, overall the whole just lacked, well (pardon my French)...balls. You can tell they tried to spike things up a bit here and there, but the film failed to make things truly interesting at moments where it definitely should have been. In my opinion, had they decided to make this rated-R, it would have been infinitely better.

Having said that, you can rest assured there is still plenty to enjoy. Visually it is absolutely awesome and simply beautiful. The costumes and make-up are great, as are the CGI effects. The characters (aside from Peeta...) are great, and the whole futuristic 'universe' that is created is pretty inventive.

There is actually still a lot more I would like to say, but I've reached my word-limit, so I'll just leave you with this: Thumbs up!
_(April 2012)_
A powerful movie that crosses several genres. From various post-apocalyptic movies we are shown the world after a worldwide disaster that has destroyed our civilization and left a more brutal one. From Spartacus the idea of gladiator games, with the added horror that these "fighters" are children who are presumably too naive to put up any resistance to the regime. From 1984 we have futuristic technology which can monitor anything the victims do, giving them no privacy in their last moments.

But the originality is in the heroine -- a tomboy determined to stay alive without losing her integrity. How can she keep herself and her friends alive in a fight when only one victim will be allowed to leave the arena intact, and an entire decadent empire is arrayed against her? This part was given to Jennifer Lawrence, who impressed audiences so well that she inspired numerous later action heroines -- Tris in DIVERGENT, Wonder Woman, Arya Stark, and others

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