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Anrecht	The Hobbit: An Unexpected Journey 2012
Geltungsdauer	178 Besprechungsprotokoll
Freigabe	2012-11-26
Beschaffenheit	DTS 1440p HDTS
Buchgattung	Adventure, Fantasy, Action
Fachsprache	English
castname	Reann J. Efrain, Hussein Q. Caffet, Romance Q. Hayam

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Peter Jackson creates the same world that he already shown us in the LOTR, but that's not the only thing he repeats.

He also repeats ripping Tolkiens book into a sucession of endless races and actions scenes with orcs falling everywhere and several "inventions" that mess the beautiful story created by the English author.

He also repeats those several minutes of platform game inside caves that we saw in Moria and in his version of King Kong.

If you loved the previous movies from Jackson, you will love this too.

If you are looking for some quality, you will only finding in the re-creation of the Middle Earth and the peformances of Ian McKellen, Martin Freeman and Cate Blanchett.
An other great master peace has been added the the Lord of The Rings collection. This movie was an excellent example of how great actors, an amazing story and a beautiful world can be produced in such an excellent way. Peter Jackson has out done his self by creating this great film. There are differences from the book but I can't complain about any of them, yes I love the original story but this one is still one of the best. All in all a amazing movie.
Over a decade after a little-known director from New Zealand managed to con New Line Cinema into giving him $300 million to make a trilogy based on JRR Tolkien's seminal fantasy (and long considered unfilmable) work The Lord of the Rings, the cinematic landscape for fantasy has changed drastically. Much like Tolkien's tome, the Lord of the Rings films came to utterly define high fantasy in film, with even competing fantasy adaptations like The Chronicles of Narnia and Alice in Wonderland cribbing from Peter Jackon's critically-acclaimed, audience-adored multipart epic. Now Jackson has returned to the land that made him famous for a go-round with Tolkien's earlier work, The Hobbit.

Tolkien's The Hobbit is far more modest in scope than its enormous sequel, and geared for a younger audience. It introduced the world to Bilbo Baggins, a typically quiet hobbit who is coaxed into adventure by the grey wizard Gandalf, enlisted to aid thirteen dwarves in reclaiming their long-lost homeland.

Jackson had the unenviable task of following up on his blockbuster Academy Award-winning masterpiece, and initially passed off the directing responsibilities to fantasy master Guillermo del Toro. Difficulties securing the film rights led to delay after delay, and del Toro finally departed, leaving the original creative team the ability to step back into place and create a follow-up/lead-in with the same creative staff in front of and behind the camera. Jackson returned as director, co-writing with Fran Walsh and Phillipa Boyens (though del Toro retains a screenwriting credit), Andrew Lesnie as cinematographer, and Howard Shore as composer, along with all of the other stalwarts of the original trilogy.

The lone exception to that is the recasting of Martin Freeman as the titular hobbit, taking over for the aging Ian Holm. Holm appears in the film's framing sequence (a scene that takes place immediately prior to the beginning of The Fellowship of the Ring), along with that trilogy's star, Elijah Wood. But this time out, it's Freeman's show, and he's as charming, witty, and engaging as you could imagine. He also makes a perfect Young Ian Holm. The casting is truly inspired. Sir Ian McKellen returns as Gandalf (here playing his more impish grey incarnation, rather than the frankly humorless white version) and the heralded thespian manages to imbue his character with both immense power and gravitas, while still throwing in little flourishes that sell Gandalf as an imperfect man, rather than just an all-knowing power. Rounding out the third of this film's main characters, and an addition to this world, is Richard Armitage as Thorin Oakenshield, the leader of the motley crew of dwarves. Armitage likewise manages to imbue Thorin with both rage and honor, and is easily believable as someone who could lead these dwarves into life-threatening battle. The other twelve dwarves are something of a blur, but a few of them manage to make an impression, even with limited screen time. I imagine the two future installments of the series will afford them each the chance to shine.

Which brings up the most contentious point of this whole Hobbit affair: the fact that it's a three-part epic. The Hobbit, as written, is a comparatively slim tome of around 300 pages (compare that to The Lord of the Rings' combined 1,600). This installment alone is ten minutes shy of a whopping three hours. And as anyone who's seen The Return of the King can attest, Jackson can get rather indulgent at times (the end[s] of that film). Initially the film was going to be split in twain, then later divvied up into three parts. Tolkien, ever the completist, wrote volumes of backstories for this world, and Jackson decided to pull from them to bulk out these films.

I've seen a lot of hay being made about the film being bloated and, yes, indulgent. I'm an editor at heart, and am generally hyper-sensitive about cutting down to the bone. But the strangest thing happened on the way to the Lonely Mountain: I found myself simply rolling along with the shaggy-dog pace of the film. It's astonishing in hindsight. The film virtually redefines "taking the scenic route," but the crazy thing is I didn't mind it in the least. I believe it's because of the lowered stakes of The Hobbit. Every single frame of The Lord of the Rings was suffused with overbearing doom; that trilogy's "save the world" plot became as heavy a burden to bear as the ring hung around Frodo's neck. But The Hobbit is lighter, freer, funnier, and doesn't have the weight of the world on its shoulders. It's rather the difference between having an appointment you need to get to in heavy traffic and taking a weekend to just drive around, stopping when and where you like. This pace will likely have a dire impact on the film's rewatchability, but sitting in the theater for a midnight showing? Magic.

The structure of the film itself seems to have ADD. Its innumerable diversions began to remind me of a live-action Family Guy episode, with character or event mentions that suddenly cause the film to cut away to a dramatization of said. But again, and I can't stress enough how unexpected this was for me, I didn't mind in the least (with one exception: it appears to be an inviolable rule that any scene in Rivendell will stop a film dead in its tracks).

The craft of the film manages to best that of its predecessor trilogy: Howard Shore turns in one of his most stirring scores, the production design and art direction are again immersive and beautiful, and Andrew Lesnie continues his unique style of cinematography combining gorgeous shots (wonderful) with frequently blowing out highlights (distracting and ugly).

One complaint I do have is Jackon's newfound over-reliance on CGI. Azog the Defiler (a chief antagonist of the film) and the Goblin King (a bit of a lark) are the sorts of character that would have (and should have) been practical effects in the original trilogy. Here they're fully CGI, and their menace is undermined by it. Gollum returns for his most famous scene, and looks wonderful; Andy Serkis' performance and the CGI truly sell this pitiful creature. CGI can be pitiful but not threatening, it appears.

I don't know what the other two installments of The Hobbit have in store. What I do know is that this return to Middle-earth is off to a great start, and if this is any indication of things to come, I'll most assuredly enjoy the ride.

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Bezeichnung	The Great Gatsby 2013
Zeitdauer	197 Konzept
Freisetzung	2013-05-10
Eigenschaft	AVCHD 1080p BRRip
Buchgattung	Drama, Romance
Programmiersprache	English
castname	Struan Y. Nikhil, Koulbak I. Dugléré, Viète G. Hugueny

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Baz Luhrmann repeats what he did with Rome + Juliet and creates a horrible moster full of FX and exaggeration.

Still, the cast performs well.
An over the top portrayal of the classic novel, while at times excessive and tasteless, it truly hits home with the novels original critique on the excess of the time. The cast was **excellent**, the movie stayed true to the novel in all the most important ways. I personally feel the modern soundtrack wasn't appropriate in several cases, but a couple flawless executions.

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Harry Potter and the Deathly Hallows: Part 2 2011 kostenlose filme -1080p-DAT

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Überschrift	Harry Potter and the Deathly Hallows: Part 2 2011
Zeitdauer	186 peinlich genau
Freistellung	2011-07-07
Güte	AAF 1440p HDTS
Gattung	Family, Fantasy, Adventure
Sprachfähigkeit	English, Español
castname	Benoîte R. Lovato, Éline E. Tamanna, Carmina Y. Astou

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Sachtitel	Hugo 2011
Geltungsdauer	197 kleinst
Verzicht	2011-11-22
Eigenschaft	DTS 720p HDTV
Genre	Adventure, Drama, Family
Jargon	English
castname	Désir T. Mccoy, Auda X. Ambur, Engel L. Soriano

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Anrecht	Captain America: The Winter Soldier 2014
Dauer	192 winzig
Freigabe	2014-03-20
Güte	WMV 1080p Blu-ray
Genre	Action, Adventure, Science Fiction
Fachsprache	English
castname	Osvaldo U. Brogan, Yuqi V. Nelson, Zwirn A. Ruest

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This movie is very good I loved it so much.
This is indeed a great piece of superhero entertainment. If superheroes and action, plenty of action, is within your sphere of interest then this movie truly delivers. There is even a story to support the stunts and special effects fireworks that is not too shabby. As a matter of fact, for being a Marvel-based movie, the story is more than acceptable.

As the blurb states, our hero is meeting a few adaptation issues after having been awaken into the modern world. Luckily the movie do not fall into the trap of making some silly comedy out of it but keeps these parts at a reasonable level where it stays funny without ruining the movie or disrupting the pace of the real story.

The story? Simple and not very original with the usual slew of traitors strewn about, you cannot trust anyone, our hero becomes a fugitive etc etc bla bla bla. It is however a pretty straightforward one which works quite well and is not getting bogged down in silly emotions and general idiotic behavior by our hero like for instance several instalments of Spider Man have done. Actually this is one thing that I really like with this movie. The hero is a true hero from start to finish without any of that modern Hollywood crap where the hero must be tarnished in one way or another to satisfy the directors and producers.

As I wrote above if you like superhero action movies then there is little not to like with this one. Acceptable story, plenty of action, good special effects, a cool chick (hey I am but an ordinary male, I like female actors in tight costumes) and a clear hero. None of the actors are really doing a bad job of it and in general the acting is as good as one can expect when portraying characters that, after all, are be totally ludicrous in real life. Its 8 out of 10 rating at IMDb (at the time of writing this) is well deserved. I am astonished that some people seem to have voted it down with a one star rating. It is a Marvel-based movie. You might feel it is more or less good but the style of the movie should not really be a major surprise to anyone and there is no way in hell that it deserves a one star rating unless someone really watched the wrong movie by accident.
Put *a little* bit of brain in a superhero's movie script and you will have everybody talking wonders about it.

This is not a bad movie but neither astonishing. Fun and entertaining and with great FX, as expected.
The Winter Soldier has all the action, quirky one-liners, and bold adventure that we have come to expect of a Marvel movie.

Plus we get introduced to a new/old villain as well as some fun romantic tension between Steve Rogers (Captain America) and Natasha Romanoff (The Black Widow). (Scarlett Johansson is perfect in this role.)

But this film also has some minor irritations all stemming from Marvel's tendency to make _Captain America_ more complicated than it really needs to be.

MINOR SPOILER ALERT:
1. The love story/non-story. Is this necessary? Will the Captain remain faithful to a 80 year-old woman on her deathbed OR engage in a date with his next door neighbor? Plus the tension between him and Natasha Romanoff is intense. This comes off as forced, awkward, and pointless.

2. “The deception goes deeper than you can imagine. You can’t trust anybody.” It's this way every time so it should no longer be a surprise.

3. He’s dead but not really. Not him, the other him. Well…they both were dead – not really – but now they are both alive. But one of them can’t remember who he really is. In this film we get to do this with two characters instead of one. It’s not a huge distraction but why does Marvel keep returning to this plot line?

END OF MINOR SPOILER ALERT

The Winter Soldier is best when Rogers and Romanoff are on the move trying to put the pieces of the puzzle together. The explosions are nice, the action scenes are intense but the real enjoyment of the film is where skill and wits are relied on more than gadgets and explosions.

Patriotism is a bit more nuanced this time around and it's better for it. The cast is great, no awkward acting moments to report. It’s a great summer flick with all the action you want.
Till the end of the road.

Stonking! Now this is more like it, after the disappointments that have been Iron Man 2 and Thor 2, Captain America gets a sequel of substance and sparks. It manages to blend everything required to make a great superhero film, lashings of derring-do heroics, action bonanza, adventure, some sexy sizzle and of course the key, a story with brains and mystery elements.

True enough to say that the considerable contributions of Black Widow and Falcon (and Nick Fury of course) keeps this as a lively Avengers spin-off movie, which is no bad thing at all, but it's still the Captain who dominates things, marking himself out as a viable main man. In fact the whole film has the old school comic book feel, yes there's the grandiose pyrotechnics - unsurprisingly amped up for the big finale, but there's an adherence to serial thriller conventions that is, well, rather warm and comforting.

With the Captain getting some surprising amount of emotional depth and humanity courtesy of the perfectly cast Chris Evans, the viewers have much to care about. Themes of Bondian world domination and global security crisis keep things nice and fanciful, while the unheralded work by the effects guys is modern cinematic art. There's some adherence to genre formula, and a bit of Marvel universe copy-catting going on, but this is one of the best films from the Marvel stable. A rich sequel indeed - more Captain America please. 9/10
**A long format review from 2014**

Misleadingly, the titular Winter Soldier is essentially a minor subplot in what is more of an espionage-technoir-thriller meets spectacle-epic than your typical super hero film. The real meat of the movie, thankfully, has some more substance behind it. Though it wouldn't surprise me if we learn later that Sebastian Stan's villain was forced to take a back seat via last minute script changes à la Hawkeye in _The Avengers_.

These things are of course a matter of opinion, and I'd like to watch _Winter Soldier_ at least once more (particularly in 2D... God do I ever hate 3D) before committing to any particular ranking. But even without that, I feel confident in saying it's the best MCU Phase 2 film to date. We must await _Guardians of The Galaxy_ and _Age of Ultron_ before cementing that little award, but I'd say that it stands at the very least above _Iron Man 3_ and _The Dark World_.

I always try to keep my reviews spoiler free, but being that in most parts of the world it isn't out yet, I'll be extra careful to do so with this one. This makes talking about _Winter Soldier_ on its own merits difficult, but there are certainly a few things that can be said.

Chris Evans (Cap'), Scarlett Johansson (Black Widow) and to a slightly lesser extent. Anthonie Mackie (Falcon) rule the film, and do so without any shortcomings. That's not to say that they couldn't physically have done any better, but their roles were all seamless as far as my blurred vision could tell, which is not an accolade I'd often give.

Where _The Dark World_ was simply a holding pattern for Thor with some very pretty pictures, _Iron Man 3_ and _The Winter Soldier_ went out and took some actual risks in their stories. But unlike _Iron Man 3's_, Winter Soldier's risks have (to its eternal credit) been universally well received.

Directors Joe and Anthony Russo also managed to cameo a couple of Community alumni, which will never be a bad thing in my eyes, even if they're just one-off, throwaway jokes.

As I said, I really feel I need to give _The Winter Soldier_ at the very least one more screening before I feel totally confident in my thoughts about it.

But the fact that I'm really fucking excited for that second viewing speaks in its favour if nothing else does.

86%

_-Gimly_
Captain America: The Winter Soldier opens up with an action sequence that's better than most action movie climaxes. It then sets up a really intriguing story before launching into one of the most suspenseful car chases since the Simpson/Bruckheimer 90s era. After that it's scene after scene of amazing action coupled with a complex story about heroes and villains being caught in a system that is too big to bring down, unless you're as good and level headed as Steve Rogers.

This isn't just a great comic book movie. It's a great movie; period. Using a spy thriller style mixed with martial arts and gunplay, set to the perfect music score, I would rank The Winter Soldier as one of my favourite action films hands down.

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Captain America: Civil War 2016 kostenlose filme -1440p-WMV

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Titulierung	Captain America: Civil War 2016
Dauer	119 peinlich genau
Entlassung	2016-04-27
Eigenschaft	DAT 1440p DVD
Gattung	Adventure, Action, Science Fiction
Sprachfähigkeit	Română, English, Deutsch, Pусский
castname	Munisah S. Tanvir, Monique K. Tiernan, Gauguin I. Shams

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Well another super-sized Marvel Comics superhero saga hits the big screen with the selected savior Captain America taking the top billing on the marquee. Thus, the pulsating popcorn pleaser **Captain America: Civil War** arrives on the scene to giddy audiences that have been loyal and fixated on the successful spring of mighty Marvel heroes that have been paraded to viewers throughout the last few years. Thankfully, **Captain America: Civil War** carries on the tradition of spry superhero-studded spectacles that have been glorious and adventurous from the stable of Marvel-based movies guaranteed to win over the enthusiastic hearts of avid comic book fanboys everywhere. Joyously overstuffed and convincingly extensive with a super team armed with crime-fighting excess, **Civil War** seizes the moment to introduce a noteworthy twist: two factions of rescuing superpowers engaging in some explosive in-house fighting led by two of Marvel Comics main standouts in Chris Evans’s Captain America and Robert Downey Jr.’s Iron Man.

Co-directors Anthony Russo and Rene Russo were instinctively crafty to link the overly successful Iron Man film franchise to the **Captain America: Civil War** inner circle to ensure an even more treasured toxic atmosphere. Superhero fans will get a thrill of witnessing the extra add-ons concerning other dynamic titans to join the action-packed festivities involving Team Captain America versus Team Iron Man. True, **Civil War** has its share of flaws but that does not take away from this heroes-in-crisis flick demonstrating its ambitious overtones.

So what has caused the bad blood among the great and grand good guys known for protecting the world from evil dominance and destruction? Essentially the theme of collateral damage, the involvement regarding civilian-related deaths and injuries plus the world-wide backlash has created a controversy pitted against The Avengers. Specifically, Captain America (a.k.a. Steve Rogers) and Scarlet Witch/Wanda Maximoff (Elizabeth Olsen) are responsible for the boisterous battle that caused such negative sensation resulting in political turmoil. Avengers head honcho Iron Man (a.k.a. Tony Stark) is dealing with his own personal regrets in the ill-advised creation of the unpredictable Ultron. The political authority want to hold Iron Man, second-in-command Captain America and the rest of the Avengers accountable for the global devastation that have taking its toll when trying to oversee the potential harm wreaking havoc on humanity.

Leading the charge in putting a watchful eye on the labeled reckless Avengers is Secretary of State Thaddeus Ross (William Hurt) that suggests the super group be monitored by the United Nations. Naturally friction develops between the superheroes that either agree with Ross’s UN restriction policies or disagree with being placed under a microscope that threatens to handcuff their free-wheeling heroic duties. All these contrasting beliefs eventually turn into epic back-and-forth confrontations where the raging Avengers are at odds with each other.

For Stark/Iron Man’s stance, he is willing to toe the line and ultimately agree that his crew needs to tone down their tenacious tactics as crime-stoppers. Iron Man’s consciousness, particularly in the case of a disillusioned mother (Alfre Woodward) making him feel guilt-ridden over her son’s death during an intense Battle of Sokovia, is probably the main factor behind his decision to have his team reigned in a bit from the political watchdogs. Siding with Iron Man’s viewpoint are the likes of Black Widow (Scarlett Johansson), Vision (Paul Bettany) and War Machine (Don Cheadle). As for Rogers/Captain America, he is not too thrilled being put in check by the intrusive governmental pencil-pushers that want to scrutinize the team’s every move. Standing with Captain America firmly are Falcon (Anthony Mackie) and the aforementioned Scarlet Witch.

On top of Captain America’s current Avengers-oriented strife in his contentious mingling with Iron Man and his ardent backers, he now finds himself trying to defend his old buddy-turned-wanted man Winter Soldier (Sebastian Stan) who is accused of killing civilians. Iron Man believes in Winter Soldier’s innocence and goes so far as to help him escape. Yes…Winter Soldier does come with more baggage attached to him–mainly in the form of the menacing Zemo (Daniel Bruhl).

The Russos and screenwriters Christopher Marckus and Stephen McFeely (all attached to the previous “Captain America: Winter Soldier”) provide the eyeful visual effects that predictably stimulate and effectively add to the overload of frenzied frolicking in this boisterous blockbuster. Certainly the deepened angst among this bombastic bunch works far more solidly than what was displayed in the stiffened and problematic Batman v. Superman. The notion that the entire globe and its leaders are weary of all the collective chaos at the hands of the Avengers trying to save their hides is a bit ridiculous. Besides, why are not the foes of the Avengers put on the hot coals for the societal ruination? It seems rather counterproductive to chastise the noble superpowers offering the safety of mankind yet the detractors not being grateful for the services that the Avengers bring to the table. It is somewhat convoluted to think that the global community are sour on our heralded heroes or that the heat generated within the walls will completely destroy the Avengers and their colorful, capable colleagues.

The movie’s aptly entitled **Civil War** does invite more punch to the proceedings especially when a who’s who of superhero showstoppers join the feisty fray at hand. The noted inclusion of defiant do-gooders are packed with the likes of Spider-Man (Tom Holland), the retired returnee Hawkeye (Jeremy Renner), Ant-Man (Paul Rudd), and nifty newcomer Black Panther (Chadwick Boseman). No doubt Captain America: Civil War is the impish and energizing launch pad for upcoming Marvel-induced movies waiting to make their future distinctive arrival on the big screen. Although Evans’s steady and charismatic Captain America more than holds his own as the solo act billed in the film’s title one cannot overlook Downey’s compelling Iron Man as the reliable source that lifts the profile of Evans’s Masked Wonder. This is indeed a collaborative big score for the glorified costumed cast but special kudos are reserved for Stan’s killing culprit as well as Boseman’s African president assuming the slick and resourceful Black Panther.

Yeah, **Captain America: Civil War** is true to its frenetic form as revved up entertainment preparing moviegoers for the upcoming summertime sizzle at the box office. After all, the on-screen Marvel Comics gravy train keeps moving merrily along so stay tuned.

**Captain America: Civil War (2016)**

Walt Disney Pictures

2 hrs 26 mins.

Starring: Chris Evans, Robert Downey, Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Daniel Bruhl, Alfre Woodward, William Hurt

Directed by: Anthony Russo and Joe Russo

MPAA Rating: PG-13

Genre: Superheroes Saga/Action and Adventure/Science Fiction/Fantasy

Critic’s Rating: *** stars (out of 4 stars)

**(c) Frank Ochieng**
The Russo Brother's and Marvel did it again! Read my full review here!

http://www.hweird1reviews.com/allreviews/captain-america-civil-war-review
**The heroes're divided and so the fans!**

Before watching this I thought what the Avengers are doing here. I believed they got the title wrong. Once I watched it, I'm still the same. Because it did not look like the Captain America's film, he never was dominated, so calling it as his film totally inappropriate. Technically, it is a third Avengers film and well done. I liked it, it was entertaining. But the Civil War means it's nothing a nation's war within, just these super-guys fight for themselves against what kind of administration they want to come under.

I think they have heard that people's complaint about blowing up the buildings during reviewing other films by bringing up this one. So they finger pointed those events in this narration and that is one of the reasons for the Civil War to take place. Particularly disturbing the public and loss of many lives when these powerful men fighting the bad guys. The fun part is they are off the street and had a most important confrontation of the film in a deserted airfield. So does it make people who were whining about that be happy?

I don't know, but as an entertaining film, it did everything it can give the best for the viewers. Like the title and posters reveal, the heroes are divided here and probably you're going to take a side. Like usual, I'm with the Stark. So if you're like me, then you would feel the annoyance with the opposite team, particularly like Antman and obviously Captain America's rebellious decision. It was like the world versus United States, because only Americans are behind Captain America. Anyway, I did not like dividing the fans and what this film has been a serious damage. I hope the fans won't take it seriously.

_8/10_
Recently I have quite liked the Marvel movies that I have watched. Sadly I did not like this movie at all. The only reason that it does not get a zero or one star rating is cool special effects and a few laughs.

I want my heroes to be just that, heroes. Unfortunately this movie gets off on the wrong foot right away by not only “incriminating” the Avengers in the eyes of dimwit politicians and putting them on surveillance of a political body but to make matters worse it is the useless black hole of taxpayers money, the United Nations, that are supposed to surveil them. That pretty much ruined the movie right away for me.

When I though that it could not get any worse it actually does. In true Hollywood fashion the Avengers start to bicker and fight among themselves.

The few redeeming qualities of this movie is great special effects and a few fun comments that made me laugh from time to time. Even the ending is pretty crappy with the Avengers remaining divided and the main bad guy feeling that he achieved what he wanted.

Technically there is not really anything wrong with the movie. The actors are good, the filming is good and, as I wrote, the special effects are great. The story however is not my cup of tea to put it mildly. I cannot express how much I despised the story in this movie.
Good movie, love Captain American.
A long form review originally posted in 2016

It’s commonplace for me to need more than one viewing to really nail down my feelings on a movie, that’s particularly true of MCU, and even more so of this particular film. That all said, here is my initial reaction to _Captain America: Civil War_.

As is often the case, it’s hard to write down too comprehensive a post about a film this early on while remaining totally spoiler-free, so for starters, I’ll just go ahead and ask the thing that was on my mind from about five minutes in to _Civil War_: I want to know how it is that two guys who have a filmography so firmly rooted in sitcoms of all things, manage to direct action this spectacularly? Honestly. It’s insane.

_Winter Soldier_ is one of the strongest MCU films in my opinion, and just like that felt mostly like a follow up to both the prior _Captain America_ film and the prior _Avengers_ film, _Civil War_ feels the same, but for the sequels to said films (_Winter Soldier_ and _Age of Ultron_). That said, it might lean a little too far on to the side of _Avengers_-sequel, and a little too light on the _Cap_-sequel. If you had to pick a lead here, it would be Steve Rogers, no mistake, but this does feel like a film painted with a very broad brush of characterisation to be solely a “_Captain America_” movie.

Considering the sheer scope of the piece, it’s amazing that the Russo brothers managed to get the ball rolling on _Civil War_ as well as they did. Even so, there are a couple of roles I felt could have been cut altogether without really impacting the story, and that time could perhaps have been used to serve some underrepresented puzzle pieces. Perhaps both the inclusion in places and lack of inclusion in others is because of plans for future MCU films (though certainly not all instances can use that excuse) but either way, if I’m hunting for flaws, that to some degree is one.

I will say, that for all of _Civil War’s_ ups and downs (mostly ups), it is both a worthy entrant into Marvel’s franchise, and perhaps even more importantly, it actually even addresses some of the problems left in _Age of Ultron_. Of course the acting is all above board, the primary action set-piece is just dumbfoundingly fun, and the evolution of the mythology meshes with the universe at large.

_Civil War_ may not be my favourite superhero movie, or even my favourite MCU movie (I mean it also might be, I think I need to give it at least another two watches to be sure) but it might just be the best comic book adaptation movie. By that, I don’t mean it accurately portrayed the events of the Marvel “Civil War” event from back 2006, because that’s not even close to true. What I mean is, there are so many instances that manage capture the spirit of what the comics are. And you almost feel like you are watching one unfold before you on the screen. A glorious, squillion dollar, two and a half hour comic book.

Oh yeah. And the new superheroes introduced in _Civil War_? They’ve got me pretty bloody excited.

79%

-_Gimly_
The Captain America movies have managed to ground the MCU by exploring the political and social climate created by the Avengers' existence. Actions have consequences and consequences influence more action.

Civil War isn't as focused as The Winter Soldier. It's also overstuffed with characters and fan service. However, the movie works by always being intriguing. Both sides of the conflict are portrayed as equally valid. The exploration of superhero accountability isn't anything new (explored in Watchmen and The Dark Knight), but it's nice to see it incorporated into a grand cinematic universe. Also, Captain Zemo is a better than average villain because while underdeveloped, his motive is interesting and not just "destroy the world."

Also, SPIDER-MAN IS FINALLY IN THE MCU!!!! 😁😁😁

Liste der IATACodesC – Wikipedia ~ Diese Teilliste führt alle IATAFlughafenCodes auf die mit „C“ beginnen und enthält Informationen zu den bezeichneten Verkehrsknotenpunkten

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Captain America: The First Avenger 2011 kostenlose filme -720p-Sonics-DDP

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Titulierung	Captain America: The First Avenger 2011
Geltungsdauer	143 Minute
Kinostart	2011-07-22
Eigenschaft	ASF 1440p WEB-DL
Gattung	Action, Adventure, Science Fiction
Ausdrucksweise	Français, Norsk, English
castname	Jenice K. Eloïse, Morse W. Deblois, Layton Q. Leha

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True to "Captain America," this is the modern (comic book) version of the All American movie. Good guys versus bad guys without a lot of ambiguity. _**NOTHING WRONG WITH THAT**_.

This movie is pretty much perfection for the genre. Entertaining A to Z story with high-end Hollywood professional movie making throughout.
**This is a long form review initially published in 2011:**

Though it ran at over two hours, I did feel that it had plenty of room to go further than it did. I honestly felt like Red Skull could have had a film all to himself, and actually kind of suffered for making him as intriguing as he was.

Chris Evans was an interesting choice as the titular role of Captain America, given that he's already played American sweetheart Marvel Super Hero "The Human Torch" in _Fantastic 4_ and _Fantastic 4: Rise of the Silver Surfer_. He didn't Oh-My-Gosh blow me away type-thing or what have you, but he was pretty great.

So far in the Marvel Cinematic Universe, I'd slot Captain America clean in the middle. I liked _Iron Man_ and _Thor_ more, but _Iron Man 2_ and _The Incredible Hulk_ less. Marvel Studios stated that the movie they wanted to make was set in the 40's, even though the rest of Marvel Cinematic is modern-day. This was 100% the right move to make, why? Not because of the setting, aesthetics or direction, but because it's fuckin' smart. How do you have the world appreciate an Uncle-Sam loving upper-middle class white male military blindly-loyal patriot? You make him fight the God damn Nazis, that's how.

It may seem strange, but I actually enjoyed the opening of _Captain America_ the most, which he spends a a meek, asthmatic Steve Rogers, yet to undergo the Deus Ex Machina Super Serum. It really showed the best of Evans acting ability, as well as the writing of Christopher Markus and Stephen McFeely whom together wrote _You Kill Me_ and The _The Chronicles of Narnia_ Trilogy.

I watched it in 3D, which was more bearable than usual. As the films of MCU progress, each of them becomes more and more a prequel to _The Avengers_, _Captain America_ being the most to date. Despite its almost-entire lack of _Avenger_ cameos, this more than previous films felt like a prequel for what's to come, which is not strictly speaking a good thing.

I had plenty of minor issues with _Captain America_, and though their was quite a number of them, all were minor, and ultimately, the only part of me that regrets watching it was the part that keeps thinking "My fucking God, I have to wait a YEAR before _Avengers_ comes out?!"

79%

-Gimly
PLOT

Steve Rogers, a scrawny young man, wants to enlist in the US Army and go overseas to fight in WWII. But his size and health means his attempts at enlistment always end the same way -- a 4F rating. Until a scientist sees him and recruits him to try out for a special training program to create a super soldier.

WHAT I LIKED

The Marvel universe sticks pretty close to classic script with him being given a serum that jacks his body into super muscle mode. He's already brave and smart, so it would seem like a no-brainer to send him overseas? But the guy in charge of his training doesn't want him, he's just one man, so Rogers ends up doing public relations back home. And he is quite shocked that the men overseas don't react as positively when they see him as the crowds back home. I really enjoyed the way they handle the first battle scene for him, basically him figuring things out as he goes, a far cry from his battle-hardened approaches later.

I even liked his interactions with Agent Carter. I had thought it would be more subtle than it was, and I hoped we'd see a bit more of her operating on her own (after all, they gave her character a whole series on TV!), but she was second fiddle to the hero.

WHAT I DIDN'T LIKE

The challenge with a lot of American movies of the war is that it is as if they are the only actors in the war, no allies, just them, and that level of nationalistic narrowmindedness is a bit grating. That may be a small gripe when the show is called CAPTAIN AMERICA, not CAPTAIN OF WORKING WITH ALLIES, but still, it's annoying. I also was disappointed there wasn't a lot more on Red Skull. His history, his abilities, other pursuits, all of it was left basically unreferenced. Sure, some of it shows up elsewhere in the Marvel universe, but a bit more crosswalk would have been nice. I felt he really wasn't that well-fleshed out as the uber villain he could have been.

THE BOTTOM LINE / TWEET

As an origin story, it lacks pizazz
Definitely the most underrated of all the MCU films, Captain America: The First Avenger is a great war film done comic book style about a little guy making a big difference. Red Skull is one of the better villains simply because of how fantastic Hugo Weaving is. Peggy Carter is a great heroine and Hayley Atwell's performance is an absolute joy. Also, Tommy Lee Jones and Stanley Tucci light up the screen whenever they're on.

With strong action scenes, nicely developed characters, and seamless CGI, Captain America: The First Avenger is perfectly fine as a stand alone film. Shameful that so many audiences were just going out of obligation for The Avengers, because this movie has a lot to offer.

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